Film and Genocide
Edited by Kristi M. Wilson and Tomás F. Crowder-Taraborrelli
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Book Presentation:
Film and Genocide brings together scholars of film and of genocide to discuss film representations, both fictional and documentary, of the Holocaust, the Armenian genocide, and genocides in Chile, Australia, Rwanda, and the United States. Since 1955, when Alain Resnais created his experimental documentary Night and Fog about the Nazis’ mass killings of Jews and other ostracized groups, filmmakers have struggled with using this medium to tell such difficult stories, to re-create the sociopolitical contexts of genocide, and to urge awareness and action among viewers. This volume looks at such issues as realism versus fiction, the challenge of depicting atrocities in a manner palatable to spectators and film distributors, the Holocaust film as a model for films about other genocides, and the role of new technologies in disseminating films about genocide.
Film and Genocide also includes interviews with three film directors, who discuss their experiences in working with deeply disturbing images and bringing hidden stories to life: Irek Dobrowolski, director of The Portraitist (2005) a documentary about Wilhelm Brasse, an Auschwitz-Birkenau prisoner ordered to take more than 40,000 photos at the camp; Nick Hughes, director of 100 Days (2005) a dramatic film about the Rwandan mass killings; and Greg Barker, director of Ghosts of Rwanda (2004), a television documentary for Frontline.
About the authors:
Kristi M. Wilson is director of the Writing Program and assistant professor of rhetoric and humanities, and Tomás F. Crowder-Taraborrelli is visiting professor of Latin American studies, both at Soka University of America in California.
Press Reviews:
"Groundbreaking and consistently engaging, Film and Genocide may become a classic. It explores a wide range of films and archival sources and features memorable interviews with filmmakers."—Adam Jones, author of Genocide: A Comprehensive Introduction
"With great sensitivity, these essays explore the aesthetic and ethical dilemmas in representing genocide, as they examine representations of genocide across history, geography, and culture, and across fictional and documentary cinema."—David Desser, coauthor of American-Jewish Filmmakers
"Film and Genocide makes a valuable contribution to a new and important field of research, which takes a comparative approach not just to the history of genocide but also to its representation."—H-Net Reviews
> From the same authors:
Italian Neorealism and Global Cinema (2007)
Dir. Kristi M. Wilson and Laura E. Ruberto
> On a related topic:
German Ways of War (2022)
The Affective Geographies and Generic Transformations of German War Films
For No Reason at All (2022)
The Changing Narrative of the First World War in American Film
Destructive Sublime (2018)
World War II in American Film and Media
Search and Clear (1988)
Critical Responses to Selected Literature and Films of the Vietnam War
Dir. William J. Searle
Planet Auschwitz (2020)
Holocaust Representation in Science Fiction and Horror Film and Television
The American Civil War on Film and TV (2017)
Blue and Gray in Black and White and Color
Subject: Genre > Historical films
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