The American Civil War on Film and TV

Blue and Gray in Black and White and Color

Add to my list

Edited by Douglas Brode, Shea T. Brode and Cynthia J. Miller

Type

Studies

Subject

Genre > Historical films

Keywords

historical films, United States, war

Publishing date

2017

Publisher

Lexington Books

Language

English

Relative size

Physical desc.

Hardcover • 294 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)

ISBN

978-1-4985-6688-9

User Ratings

(0 vote)

X

Average rating:

0	rating	= We can do without
0	rating	= Good book
0	rating	= Excellent book
0	rating	= Unique / a reference

Your rating: -

Book Presentation:
Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith’s Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation, as well as serving as historical education for a century of Americans.

In The American Civil War on Film and TV: Blue and Gray in Black and White and Color, Douglas Brode, Shea T. Brode, and Cynthia J. Miller bring together nineteen essays by a diverse array of scholars across the disciplines to explore these issues. The essays included here span a wide range of films, from the silent era to the present day, including Buster Keaton’s The General (1926), Red Badge of Courage (1951), Glory (1989), Gettysburg (1993), and Cold Mountain (2003), as well as television mini-series The Blue and The Gray (1982) and John Jakes’ acclaimed North and South trilogy (1985-86).

As an accessible volume to dedicated to a critical conversation about the Civil War on film, The American Civil War on Film and TV will appeal to not only to scholars of film, military history, American history, and cultural history, but to fans of war films and period films, as well.

About the authors:
Susan Aronstein is Professor of English at the University of Wyoming, USA. Her previous publications include Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia (2005) and, as co-editor, Disney's Middle Ages: A Fairy Tale and Fantasy Past (2012).Rosanne Welch is Executive Director of the Stephens College MFA in TV and Screenwriting, USA. She has TV writing credits on Beverly Hills 90210, Picket Fences, Nightline and Touched by an Angel. Her award-winning publications include When Women Wrote Hollywood (2018) and Women in American History (2017). She has additionally written American Women's History on Film (2023) and The Civil War on Film (2021).Douglas Brode,now retired, was the Creator/Coordinator of the Film Classics Program for The Newhouse School of Public Communications at Syracuse University, USA. He is a novelist, screenwriter, playwright, film historian, multi-award winning journalist, and multi-award winning educator. His previous books include studies of director Steven Spielberg, Shakespeare in the Movies, Star Wars and Star Trek, Walt Disney, the Western genre, and the D.C. Universe, among more than fifty others. Recently, Brode was selected by the Popular Culture Association of America as person of the year for his lifelong list of contributions to the form.Cynthia J. Miller is a Scholar-in-Residence at Emerson College, USA, and a cultural anthropologist specializing in popular culture and visual media. She serves on the board of the National Popular Culture/American Culture Association, and is Treasurer and Governing Board member of the International Association for Media and History, as well as Director of Communication for the Center for the Study of Film and History. She also serves on the editorial board of the Journal of Popular Television. She is the winner of the James Welsh Prize for lifetime achievement in adaptation studies and the Peter C. Rollins prize for a book-length work in popular culture.

Press Reviews:
"A collection's merit hangs on the skill of its editors, whose task it is to commission essays on meaningful topics and then edit those essays to meet the overall needs of the collection. Douglas Brode, Shea Brode, and Cynthia Miller succeed beautifully in this excellent volume. The timeliness of the book is noteworthy: recent events such as Charlottesville and the controversy over Confederate memorials are very much in the public consciousness. Most of the essays are well written and creatively engage media portrayals of the Civil War and its aftermath. Particular standouts are Guerric DeBona's history of John Huston’s adaptation of The Red Badge of Courage (1951), Susan Aronstein and Jeanne Holland’s overview of Disney Civil War–themed productions of the 1950s and 1960s, and Miller and A. Bowdoin Van Riper’s take on alternate history and the othering of the Civil War (Kevin Wilmot’s C.S.A would have worked nicely here). Arranged in rough chronological order of the release dates of the films discussed, the essays take readers through US popular culture of the past 120 years as they look at the breadth and impact of the American Civil War. Summing Up: Recommended. Lower-division undergraduates through faculty." ―Choice Reviews

"This excellent collection of essays insightfully analyzes most of the important films about the Civil War. Moreover, it sheds new light on the evolution of American attitudes toward the Civil War and its significance." ―John G. Cawelti, author of Adventure, Mystery, and Romance: Formula Stories as Art and Popular Culture

"Douglas Brode, Shea Brode, and Cynthia Miller’s The American Civil War on Film and TV: Blue and Gray in Black and White and Color not only offers a great study of a specific genre of popular film and television, it is also highly informative about the popular culture reception of one of the great, turbulent times in American history. This book is a ‘must have’ for anyone interested in the Civil War or in popular film and television. It is both discerning and entertaining." ―Gary Hoppenstand, Michigan State University

See the publisher website: Lexington Books