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Acting in the Cinema
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Book Presentation:
In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various approaches to acting, and suggests ways that behavior on the screen can be linked to the presentation of self in society.
Naremore's discussion of such figures as Lillian Gish, Marlene Dietrich, James Cagney, and Cary Grant will interest the specialist and the general reader alike, helping to establish standards and methods for future writing about performers and their craft.
About the Author:
James Naremore is director of the film studies program at Indiana University.
See the publisher website: University of California Press
> From the same author:
The Haunted Cinema of Pedro Costa (2025)
by James Naremore and Darlene J. Sadlier
Subject: Director > Pedro Costa
Letter from an Unknown Woman (2021)
Subject: One Film > Letter from an Unknown Woman
The Treasure of the Sierra Madre (1979)
Dir. James Naremore
Subject: One Film > The Treasure of the Sierra Madre
> On a related topic:
Moment of Action (2016)
Riddles of Cinematic Performance
Playing to the Camera (1999)
Film Actors Discuss Their Craft
by Bert Cardullo, Harry Geduld, Ronald Gottesman and Leigh Woods
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