Romance and the "Yellow Peril"
Race, Sex, and Discursive Strategies in Hollywood Fiction
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Hollywood films about Asians and interracial sexuality are the focus of Gina Marchetti's provocative new work. While miscegenation might seem an unlikely theme for Hollywood, Marchetti shows how fantasy-dramas of interracial rape, lynching, tragic love, and model marriage are powerfully evident in American cinema. The author begins with a discussion of D. W. Griffith's Broken Blossoms, then considers later films such as Shanghai Express, Madame Butterfly, and the recurring geisha movies. She also includes some fascinating "forgotten" films that have been overlooked by critics until now. Marchetti brings the theoretical perspective of recent writing on race, ethnicity, and gender to her analyses of film and television and argues persuasively that these media help to perpetuate social and racial inequality in America. Noting how social norms and taboos have been simultaneously set and broken by Hollywood filmmakers, she discusses the "orientalist" tensions underlying the construction of American cultural identity. Her book will be certain to interest readers in film, Asian, women's, and cultural studies.
About the Author:
Gina Marchetti is Assistant Professor of Film at the University of Maryland.
> From the same author:
A Companion to Hong Kong Cinema (2020)
Dir. Esther M. K. Cheung, Gina Marchetti and Esther Yau
Hong Kong Film, Hollywood and New Global Cinema (2009)
No Film is An Island
Dir. Gina Marchetti and Tan See-Kam
Chinese Connections (2009)
Critical Perspectives on Film, Identity, and Diaspora
Dir. Tan See-Kam, Peter X. Feng and Gina Marchetti
From Tian'anmen to Times Square (2006)
Transnational China and the Chinese Diaspora on Global Screens, 1989-1997
> On a related topic:
Whitewashing the Movies (2021)
Asian Erasure and White Subjectivity in U.S. Film Culture
by David C. Oh
Subject: Sociology
Chinatown Film Culture (2020)
The Appearance of Cinema in San Francisco's Chinese Neighborhood
Subject: Sociology
Indian Accents (2013)
Brown Voice and Racial Performance in American Television and Film
Subject: Sociology
Borderland Brutalities (2024)
Violence and Resistance Along the Us-Mexico Borderlands in Literature, Film, and Culture
Subject: Sociology
Colorization (2024)
One Hundred Years of Black Films in a White World
by Wil Haygood
Subject: Sociology
Back
