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Love Rules
Silent Hollywood and the Rise of the Managerial Class
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Book Presentation:
Traces the surprising connections between silent films and the rise of bureaucracy
Arguing for a sweeping new consideration of the shift from print to cinema as a governing system for organizing modern American social relations, this book uncovers an intimate connection between Hollywood romances of the silent era and the empowerment of a managerial class.
During the 1910s and 1920s, American movies told love stories through what rapidly became ubiquitous images. Again and again, silent features showed lovers separated by seeming happenstance and reunited as if by magical forces. Mark Garrett Cooper argues that this “magic” implies the expertise of the corporate movie studio with its hierarchies of professional experts. In other words, the Hollywood love story amounts to a managerial technique. Through close study of such films as Birth of a Nation, Enoch Arden, The Crowd, Why Change Your Wife? and The Jazz Singer, Love Rules shows how cinematic romance offers an object lesson in how to arrange American society—a lesson that implies that such work can be accomplished only by a managerial class.
Love Rules offers a boldly original account of how the Hollywood feature film supplanted the “imagined community” of print culture and, in doing so, played a key role in the transformation of American mass culture.
About the Author:
Mark Garrett Cooper is assistant professor of English at Florida State University.
See the publisher website: University of Minnesota Press
> From the same author:
Rediscovering U.S. Newsfilm (2020)
Cinema, Television, and the Archive
by Mark Garrett Cooper, Sara Beth Levavy, Ross Melnick and Mark Williams
Subject: Genre > Documentary
Universal Women (2010)
Filmmaking and Institutional Change in Early Hollywood
> On a related topic:
A Queer Way of Feeling (2023)
Girl Fans and Personal Archives of Early Hollywood
Subject: Silent Cinema
The Othering of Women in Silent Film (2023)
Cultural, Historical, and Literary Contexts
Subject: Silent Cinema
Possessed (2008)
Hypnotic Crimes, Corporate Fiction, and the Invention of Cinema
Subject: Silent Cinema
At the Picture Show (2001)
Small-Town Audiences and the Creation of Movie Fan Culture
Subject: History of Cinema
Struggles for Recognition (2021)
Melodrama and Visibility in Latin American Silent Film
Subject: Countries > Latin America
A Place of Darkness (2018)
The Rhetoric of Horror in Early American Cinema
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