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October
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Book Presentation:
In this book, Richard Taylor asks to what extent the film can lay claim to "authentic" history. He then examines October's relationship to the politics of the period and explains the theory and its application, as well as placing October in the wider context of Eisenstein's career.
About the Author:
Richard Taylor is Professor of Politics at the University of Wales Swansea and general editor of the five-volume BFI edition of Eisenstein Writings, including The Eisenstein Reader (1998).
See the publisher website: BFI Publishing
See October (Ten Days that Shook the World) (1927) on IMDB ...
> From the same author:
Early Cinema in Russia and its Cultural Reception (2015)
by Yuri Tsivian and Richard Taylor
Subject: Countries > Russia / USSR
The Film Factory (2015)
Russian and Soviet Cinema in Documents 1896-1939
Dir. Richard Taylor and Ian Christie
Subject: Countries > Russia / USSR
Eisenstein Rediscovered (2014)
Dir. Ian Christie and Richard Taylor
Subject: Director > Sergei Eisenstein
Stalinism and Soviet Cinema (2011)
Dir. Derek Spring and Richard Taylor
Subject: Countries > Russia / USSR
Inside the Film Factory (1994)
New Approaches to Russian and Soviet Cinema
Dir. Richard Taylor and Ian Christie
Subject: Countries > Russia / USSR
> On a related topic:
This Thing of Darkness (2025)
Eisenstein's Ivan the Terrible in Stalin's Russia
Subject: One Film > Ivan the Terrible
An Imaginary Cinema (2024)
Sergei Eisenstein and the Unrealized Film
Subject: Director > Sergei Eisenstein
Psychoanalytic Perspectives on Sergei M. Eisenstein's Work (2023)
Cinema and Psychoanalysis in Soviet Russia
Subject: Director > Sergei Eisenstein
The Eisenstein Universe (2022)
Dir. Ian Christie and Julia Vassilieva
Subject: Director > Sergei Eisenstein
Dance of Values (2020)
Sergei Eisenstein's Capital Project
by Elena Vogman
Subject: Director > Sergei Eisenstein
Movement, Action, Image, Montage (2018)
Sergei Eisenstein and the Cinema in Crisis
Subject: Director > Sergei Eisenstein
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