MENU   

Johnny Guitar

by

Type
Studies
Subject
One Film
Keywords
Nicholas Ray, western
Publishing date
Publisher
University of New Mexico (UNM) Press
Collection
Reel West
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback216 pages
5 x 7 inches (12.5 x 18 cm)
ISBN
978-0-8263-6964-2
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
The first book on the groundbreaking 1954 Western by director Nicholas Ray, controversial in its time, now celebrated as a groundbreaking example of high camp, LGBTQ themes, and the outer limits of the Hollywood system.

What to make of Johnny Guitar, Nicholas Ray’s high-drama psychological Western from 1954? The film met with a mixed reception on its release but over the years has assumed cult status in some circles, with some critics now citing it among the greatest examples of the genre. In this first-ever book on this divisive Western, Brooks Hefner disentangles the tortured production history of the film and explores the question of what makes Johnny Guitar not only an important film but an important Western in an era rife with classic examples of the genre. Made at the peak of director Nicholas Ray’s career, Johnny Guitar’s layered themes of gender, sexuality, psychology, and politics make it one of the richest examples of the “adult Western,” those increasingly sophisticated films like George Stevens’s Shane (1953), John Ford’s The Searchers (1956), and the Westerns of Anthony Mann and Budd Boetticher. At the same time, Johnny Guitar represented an effort by B studio Republic Pictures to produce a prestige picture with major Hollywood stars like Joan Crawford and Sterling Hayden. Hefner shows how, with the studio system beginning to crumble, Johnny Guitar sits at a moment when stars and directors began to exert more control over their images and films.

About the Author:
Brooks E. Hefner is a professor of English at James Madison University, where he teaches American genre fiction, film history, and popular film genres. He is the author of Black Pulp: Genre Fiction in the Shadow of Jim Crow and The Word on the Streets: The American Language of Vernacular Modernism. He lives in Charlottesville, Virginia.

Press Reviews:
"Brooks E. Hefner’s Johnny Guitar is a groundbreaking study of Nicholas Ray’s notoriously groundbreaking Western—highly recommended." -- W. K. Stratton, author of The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film

See the

See Johnny Guitar (1954) on IMDB ...

> On a related topic:

Rebel Without a Cause:Approaches to a Maverick Masterwork

(2005)

Approaches to a Maverick Masterwork

Dir.

Subject: One Film >

Ray By Ray:A Daughter's Take on the Legend of Nicholas Ray

(2020)

A Daughter's Take on the Legend of Nicholas Ray

by

Subject: Director >

American Stranger:Modernisms, Hollywood, and the Cinema of Nicholas Ray

(2018)

Modernisms, Hollywood, and the Cinema of Nicholas Ray

by

Subject: Director >

Lonely Places, Dangerous Ground:Nicholas Ray in American Cinema

(2015)

Nicholas Ray in American Cinema

Dir. and

Subject: Director >

Nicholas Ray:An American Journey

(2011)

An American Journey

by

Subject: Director >

Nicholas Ray:The Glorious Failure of an American Director

(2011)

The Glorious Failure of an American Director

by

Subject: Director >

I Was Interrupted:Nicholas Ray on making movies

(1995)

Nicholas Ray on making movies

by and

Subject: Director >

17107 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info