Rebel Without a Cause
by Glyn Davis
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Nicholas Ray's 1955 film Rebel Without a Cause is a globally recognised landmark of post-war American cinema. The film follows twenty-four hours in the life of troubled teen Jim Stark (James Dean), the new boy in town, who becomes drawn into a maelstrom of shifting social allegiances, emotional turmoil, and violence. Rebel tackled head-on the thorny political issue of juvenile delinquency from the perspective of the adolescents, contributed to the genesis of the teen movie, and was pivotal in bringing The Method acting style to wider audiences. Dean's nuanced and dextrous performance as the film's lead character was paramount in establishing the actor's iconicity.
In his study of the film, Glyn Davis foregrounds the concept of rebellion, exploring in detail what it meant to be a rebel in the 1950s, the role that cinema has played in articulating rebellion and providing a haven for rebels, and why James Dean's archetypal depiction of a teenage rebel has endured. Combining sharp close analysis with perceptive contextualisation, Davis scrutinises Nicholas Ray's status as a maverick director, the challenges that The Method presented to calcified standards of performance in Hollywood, and the ways in which Rebel contributed to the shaping of new articulations of masculinity and sexuality. Ray's film, Davis ultimately argues, has an ambiguous stance on rebellion, depicting both the lure and the terror of rejecting conformity.
Davis examines the significant contributions to Rebel Without a Cause made by an array of cast and crew members: from screenwriter Stewart Stern to composer Leonard Rosenman, from production designer Malcolm Bert to costume designer Moss Mabry, from lead actors such as Dean and Mineo to secondary players such as Marietta Canty and Edward Platt. Highlighting the film's shifting critical reception, he unpacks its legacy and the reasons that it continues to resonate with contemporary audiences.
About the Author:
Glyn Davis is Professor of Film Studies at the University of St Andrews, UK. He is the author, co-author, or co-editor of eleven books, including The Richard Dyer Reader (BFI/Bloomsbury, co-edited with Jaap Kooijman, forthcoming 2022), The Living End: A Queer Film Classic (forthcoming, 2022), and Pop Cinema (co-edited with Tom Day, forthcoming 2022). From 2016 to 2019, Glyn was the Project Leader of 'Cruising the Seventies: Unearthing Pre-HIV/AIDS Queer Sexual Cultures', a pan-European queer history project funded by HERA and the European Commission (www.crusev.ed.ac.uk).
See the publisher website: BFI Publishing
See Rebel Without a Cause (1955) on IMDB ...
> Books with the same or similar title:
Rebel Without a Cause (2005)
Approaches to a Maverick Masterwork
Dir. J. David Slocum
Subject: One Film > Rebel Without a Cause
> From the same author:
Film Studies (2015)
A Global Introduction
by Glyn Davis, Kay Dickinson, Lisa Patti and Amy Villarejo
Subject: Film Analysis
Superstar (2009)
The Karen Carpenter Story
by Glyn Davis
Subject: One Film > Superstar: The Karen Carpenter Story
> On a related topic:
The Making of Rebel Without a Cause (2010)
Subject: One Film > Rebel Without a Cause
Rebel Without a Cause (2005)
Approaches to a Maverick Masterwork
Dir. J. David Slocum
Subject: One Film > Rebel Without a Cause
Ray By Ray (2020)
A Daughter's Take on the Legend of Nicholas Ray
by Nicca Ray
Subject: Director > Nicholas Ray
American Stranger (2018)
Modernisms, Hollywood, and the Cinema of Nicholas Ray
Subject: Director > Nicholas Ray
Lonely Places, Dangerous Ground (2015)
Nicholas Ray in American Cinema
Dir. Steven Rybin and Will Scheibel
Subject: Director > Nicholas Ray
I Was Interrupted (1995)
Nicholas Ray on making movies
by Nicholas Ray and Susan Ray
Subject: Director > Nicholas Ray