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She Could Be Chaplin!

The Comedic Brilliance of Alice Howell

by

Type
Biographies
Subject
Actress
Keywords
Alice Howell, actress, silent cinema
Publishing date
Publisher
University Press of Mississippi
Collection
Hollywood Legends Serie
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover144 pages
6 ¼ x 9 inches (16 x 23 cm)
ISBN
978-1-4968-0632-1
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Book Presentation:
The first book-length appreciation of one of the most important comediennes of the silent film era

Description
Alice Howell (1886–1961) is slowly gaining recognition and regard as arguably the most important slapstick comedienne of the silent era. This new study, the first book-length appreciation, identifies her place in the comedy hierarchy alongside the best-known of silent comediennes, Mabel Normand. Like Normand, Howell learned her craft with Mack Sennett and Charlie Chaplin. Beginning her screen career in 1914, Howell quickly developed a distinctive style and eccentric attire and mannerisms, successfully hiding her good looks, and was soon identified as the “Female Charlie Chaplin.”

Howell became a star of comedy shorts in 1915 and continued her career through 1928 and the advent of sound in film. While she is today recognized as a pioneering female filmmaker, during her career she never expressed much interest in her work, seeing it only as a means to an end, with her income carefully invested in real estate. It has taken many years for her to gain her rightful place in film history, not only as a comedienne, but also as matriarch of a prominent American family that includes son-in-law and director George Stevens and grandson George Stevens Jr., founder of the American Film Institute and the Kennedy Center Honors, who provides a foreword.

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