Les livres en français sont sur www.livres-cinema.info
The Epistemic Archaeology of Ashish Avikunthak
Cinema and Religiosity of Everyday Life
Sous la direction de Erin O'Donnell et Šarūnas Paunksnis
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
This book explores the diverse aspects of Ashish Avikunthak's cinema, which challenges Western knowledge systems and cinematic practices, as well as ideological hegemonies of present-day India.
For thirty years, Indian filmmaker Ashish Avikunthak has been making self-financed films that have robustly resisted capital and market logic. Starting from his early 16mm short films Etcetera (1997) and Kalighat Fetish (1999) to longer feature length works that he has been making since the past decade–Rati Chakravyuh (2013), Aapothkalin Trikalika (2016), Vrindavani Vairagya (2017), to the most recent Vidhvastha (2022) with several more projects in various stages of production. His body of work now amounts to seven short films and nine feature length works. This collection of essays rigorously interrogates, contextualizes, theorizes, and interprets his work in relation to some of the key preoccupations of this filmmaker, which include Tantric practice, alternative ways of filmmaking, as well as posing a cinematic challenge to oppressive epistemes. Furthermore, the current global assertion of authoritarianism and one-dimensional interpretations of cultural history and practice provide a timely and essential historical moment in which to dialogue with Avikunthak's films. Why? Because Avikunthak's cinema consciously contests totalizing historical and artistic narratives, and constructs frameworks of existential uncertainty and fragmentation that force us to reflect on the increasing political, economic, social, and climate chaos that is infusing and shaping our early 21st century global ontology.
À propos des auteurs :
Erin O'Donnell is an Associate Professor of History at East Stroudsburg University, USA. Her research and teaching interests include the histories of Bengali, Bangladeshi, and Indian film and photography. Šarunas Paunksnis is a Professor at Kaunas University of Technology in Lithuania. His current research interests include new media, Indian cinema, posthumanism, postcolonial theory.
Revue de Presse:
"Ashish Avikunthak's productivity is staggeringly ambitious, consistently captivating, and aesthetically audacious. It might easily be compared to that of Harun Farocki, Werner Herzog, or perhaps even Jean-Luc Godard. This penetrating volume offers a much-needed exploration of Avikunthak's radical cinematic practice, exploring how his films challenge dominant epistemes and subvert aesthetic conventions. The insightful essays in this book adroitly situate the intellectual and philosophical depth of his work within urgent debates on history, identity, and resistance. Essential reading for those interested in avant-garde cinema, postcolonial thought, and the transformative power of art in turbulent times." ―Charles Musser, Professor of Film and Media Studies, Yale University, USA
"This is a very important book about a very important filmmaker, particularly at this moment or historical juncture. This is the first book I have ever seen on Avikunthak's films, and the fact that it includes long-time collaborators, one of the film-maker's videographers, and an interview are all real gifts. This is one of those cutting-edge books that will grow in importance with time." ―Jeffrey J. Kripal, J. Newton Rayzor Chair in Philosophy and Religious Thought, Rice University, USA, and author of How to Think Impossibly: About Souls, UFOs, Time, Belief, and Everything Else (2024)
"The book is interesting and compelling. Avikunthak continues to develop interesting cinematic ideas, and he has made a decisive intervention in ongoing debates about cinema's future. He fully merits the sort of attention this book provides." ―Richard I. Suchenski, Founder of Film Secession, Associate Professor of Film and Electronic Arts and Director of the Center for Moving Image Arts, Bard College, USA
Voir le site internet de l'éditeur Bloomsbury Academic
Voir la filmographie complète de Ashish Avikunthak sur le site IMDB ...
> Des mêmes auteurs :
Dark Fear, Eerie Cities (2019)
New Hindi Cinema in Neoliberal India
> Sur un thème proche :
The Maker of Filmmakers (2025)
How Jagat Murari and FTII Changed Indian Cinema Forever
de Radha Chadha
Sujet : Director > Jagat Murari
The Films of Shyam Benegal (2024)
Dir. Sneha Kar Chaudhuri et Ramit Samaddar
Sujet : Director > Shyam Benegal
Gendered Modernity and Indian Cinema (2023)
The Women in Satyajit Ray's Films
Sujet : Director > Satyajit Ray
Retour
