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Bring the Funny

de

Type
Didactic
Sujet
Technique
Mots Clés
scriptwriting, comedy
Année d'édition
Editeur
Routledge
Collection
A Focal Press Book
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback230 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-138-92925-8
Appréciation
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Description de l'ouvrage:
A sharp, funny book about comedy screenwriting from a successful screenwriter that uses recent – as in this century – movies you've actually seen as examples.

Greg DePaul (Screenwriter, Bride Wars, Saving Silverman) has sold scripts to Miramax, Fox, Disney, New Line, Sony, MGM and Village Roadshow. He's worked with comedy stars like Jack Black, Kate Hudson, Jason Biggs and Amanda Peet.

Now Greg takes everything he knows about writing comedy and breaking into the biz, tosses it into a blender and serves up this tasty, fat-free smoothie of a book that’s easy to read, brutally honest, and straight from the heart ... of Hollywood.

Bring the Funny is chock full o' tricks, strategies and insider terms used by successful comedy screenwriters, including:

Comic Justice Wrylies Genre-Bending Shadow Characters

The BDR's The Two-Hander The Conceit Comedic Escalation

Gapping A.I.C. Fish Outta Water The Idea Factory

Really Important Comedy Screenwriting Rules Number 99 and 100

If you're looking to write funnier and better screenplays, you want this book. But if you're ready to pack up your car, drive out to L.A., and dive into a career as a comedy screenwriter, you need this book. Now.

Buy it, jam it into your pocket, and hit the gas. Greg's got your back.

À propos de l'auteur :
DePaul, Greg

Revue de Presse:
"If you’re serious not just about writing great comedy scripts, but also having a successful career as a comedy screenwriter, I highly recommend Bring the Funny. The book is full of practical advice for both successful writing habits and a realistic approach to breaking into this ultra-competitive industry." - Angela Bourassa, founder and Editor in Chief of LA Screenwriter.

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