Representing Religion in World Cinema

Filmmaking, Mythmaking, Culture Making

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Edited by S. Brent Plate

Type

Essays

Subject

Sociology

Keywords

religion, global

Publishing date

2004

Publisher

Palgrave MacMillan

Collection

Religion/Culture/Critique

Language

English

Relative size

Physical desc.

Paperback • 283 pages
5 ½ x 8 ¼ inches (14 x 21 cm)

ISBN-10
ISBN-13

1-4039-6051-8
978-1-4039-6051-1

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Book Presentation:
Religious traditions have provided a seemingly endless supply of subject matter for film, from the Ten Commandments to the Mahabharata . At the same time, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be 'Jedi Knight'. Representing Religion in World Cinema begins with these mutual transformations as the contributors query the two-way interrelations between film and religion across cinemas of the world. Cross-cultural and interdisciplinary by nature, this collection by an international group of scholars draws on work from religious studies, film studies, and anthropology, as well as theoretical impulses in performance, gender, ethnicity, colonialism, and postcolonialism.

About the Author:
S. BRENT PLATE is Assistant Professor of Religion and the Visual Arts at Texas Christian University. His previous publications include Imag(in)ing Otherness: Filmic Visions of Living Together, The Apocalyptic Imagination: Aesthetics and Ethics at the End of the World and Religion, Art, and Visual Culture (Palgrave).

Press Reviews:
"...argues persuasively for conceptualizing a georeligious film aesthetic. It does so by examining the infinitely varied processes by which films from diverse cultures and nations embody religious ideas and values which themselves are revitalized in the quintessential twentieth-century art form. This multi-disciplinary, multi-national volume promises to open up new perspectives on the complex relationships among religion, culture, spectatorship and cinema." - Matthew Bernstein, Emory University

"Representing Religion in World Cinema: Mythmaking, Filmmaking, Culture Making is a far-ranging, provocative collection that pushes the boundaries of religion-and-cinema studies way beyond where, for too long, they have rested too comfortably. The essays are carefully selected and usefully introduced by Brent Plate, so the volume will be most useful in the university classroom." - Ron Grimes, Wilfrid Laurier University

See the publisher website: Palgrave MacMillan