MENU   

Ethics in Screenwriting

New Perspectives

Sous la direction de

Type
Essays
Sujet
Technique
Mots Clés
scriptwriting, ethics
Année d'édition
Editeur
Springer
Collection
Palgrave Studies in Screenwriting
1ere édition
2016
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback288 pages
6 x 8 ¼ inches (15 x 21 cm)
ISBN
978-1-349-71359-2
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Ethics in Screenwriting: New Perspectives is a book that breaks new ground by forging a link between screenwriting research and a burgeoning interest in film, media, and narrative ethics. Going beyond the orthodox discussion of morality of film and television, the collection focuses on ethics in screenwriting. Building on a new wave of screenwriting research, as well as a ‘turn to ethics’ in humanities and media studies scholarship, this title forms a bridge between these areas in a unique analysis of a key area of media practice. Each essay goes beyond the general discussion of ethics and media to engage with specific aspects of screenwriting or scripting. Written for readers interested in questions of ethics as well as screenwriting, the collection offers new perspectives on ethical questions associated with Writers and their Production Environment; Actuality and History; and Character and Narrative.

À propos de l'auteur :
Steven Maras is an Associate Professor in Media and Communication at the University of Western Australia. He is the author of Screenwriting: History, Theory, and Practice (2009) and also of Objectivity in Journalism (2013).

Revue de Presse:
"Ethics in Screenwriting brings in the perspective of the responsibility the screenwriter has in their narrative. The great aspect of this book is the perspective from different parts of the world, helping open up the perspective of any screenwriter or film academic. Steven Maras also wraps up everything wonderfully into a great thesis that could be taught in any ethics classes or a screenwriting course, because there is a heavy responsibility in the words of a writer, whether they know it or not." (Yousif Nash, Journal of Screenwriting, Vol. 11 (2), 2020)

Voir le

> Du même auteur :

Screenwriting:History, Theory, and Practice

(2009)

History, Theory, and Practice

de

Sujet : Technique >

> Sur un thème proche :

The Heart of Your Script:The Insider's Guide to Writing the Difficult Middle Section of a Screenplay

(2026)

The Insider's Guide to Writing the Difficult Middle Section of a Screenplay

de et

Sujet : Technique >

Rem Koolhaas as Scriptwriter:OMA Architecture Script for West Berlin

(2025)

OMA Architecture Script for West Berlin

de

Sujet : Technique >

Beyond the Monoplot:How to Write Unconventional Films (and Why We Should)

(2025)

How to Write Unconventional Films (and Why We Should)

de

Sujet : Technique >

Scriptnotes:A Book About Screenwriting and Things That Are Interesting to Screenwriters

(2025)

A Book About Screenwriting and Things That Are Interesting to Screenwriters

de et

Sujet : Technique >

Film as Argument:The Secret to Feature Film Storytelling

(2025)

The Secret to Feature Film Storytelling

de

Sujet : Technique >

Save the Cat! Writes Horror:The Ultimate Guide to Creating Monster in the House Stories

(2025)

The Ultimate Guide to Creating Monster in the House Stories

de

Sujet : Technique >

The Screenwriting Sensei:A Complete Guide to Writing Your First Script

(2025)

A Complete Guide to Writing Your First Script

de

Sujet : Technique >

17082 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info