The Pop Documentary Since 1980

Aesthetics, Performance, Creativity

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de Richard Wallace

Type

Studies

Sujet

Genre > Documentary

Mots Clés

documentary, music

Année d'édition

2025 (August 07, 2025)

Editeur

Bloomsbury Academic

Langue

anglais

Taille du livre

Format

Paperback • 264 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)

ISBN

978-1-350-21423-1

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Description de l'ouvrage:
In The Pop Documentary Since 1980, Richard Wallace examines the representation of pop music, musicians and music-making in documentary film and television. He draws together conceptual frameworks from within and outside of film and television studies - including performance studies, musicology, celebrity studies and fan studies - to provide a critical interrogation of the central issues in this genre.

A common criticism of the music documentary is that it lacks artistic integrity because of its close affiliation with its subject. Wallace argues that music documentaries can be artful and conceptually complex and be part of a broader process of image curation under the control of the artist and their management. This contradiction is key to the form's vitality and Wallace explores two competing lines of enquiry. First, the contribution that such documentaries make to the public perception of their subjects. Second, he argues that its 'official' status does not preclude music documentaries from being artistic or engaging with the theoretical questions that underpin documentary media more broadly.

Other issues addressed include:
- how documentaries about song writing attempt to represent intangible concepts like 'creativity' and 'inspiration';
- how the experiential and affective aspects of music are communicated through the visual image;
- ethical considerations.

Each of these conceptual questions is examined through detailed analysis of a variety of music documentaries ranging from Stop Making Sense to Tokyo Idols via Beyoncé and The Beatles.

À propos de l'auteur :
Richard Wallace is Assistant Professor in Film and Television Studies at the University of Warwick, UK. He researches documentary, comedy and British film and television history and he is the author of Mockumentary Comedy: Performing Authenticity (2018).

Revue de Presse:
"An engagingly written and balanced exploration of the contemporary music documentary. Wallace offers a fresh perspective to the genre, discussing a wide range of popular music artist documentaries, examining their aesthetics, how they shape ideas of artistry and the role of devoted fans. A thoughtful and compelling contribution to the growing work in this field." ―Jamie Sexton, Associate Professor, Northumbria University, UK

Voir le site internet de l'éditeur Bloomsbury Academic