Music, Sound, and Documentary Film in the Global South

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de Christopher L. Ballengee, Andre Bagoo, Miki Brunou et Lucas Izquierdo

Type

Studies

Sujet

Genre > Documentary

Mots Clés

sound, documentary, music, global

Année d'édition

2022

Editeur

Lexington Books

Collection

Extreme Sounds Studies: Global Socio-Cultural Explorations

Langue

anglais

Taille du livre

Format

Hardcover • 194 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-1-6669-0295-2

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Description de l'ouvrage:
Music, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project. Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.

À propos des auteurs :
Christopher L. Ballengee is an ethnomusicologist based in Poland, where he works as an academic editor and English teacher. He is director of the feature-length documentary film Sweet Tassa: Music of the Indian Caribbean Diaspora (2019) and author of numerous articles on music in Trinidad and Tobago.Cover image: Richard Williams

Revue de Presse:
"The essays in this edited volume explore several intersecting terrains associated with the current renaissance of documentary filmmaking occurring globally. They highlight the significance of music and soundscapes in documentary film, showcase the testimonies and interpretations of filmmakers themselves about their art and craft, and focus on a range of issues relevant to current trends in Global South studies. This work is thus a much-needed and welcome addition to documentary film scholarship in the twenty-first century."
-- Frank Gunderson, Florida State University

"Music, Sound, and Documentary Film in the Global South contains well-researched essays that offer an extensive consideration of sound and its many expressions in documentary from the Global South. Taking into account cultures, histories, and lived experience, the book approaches sound as a sensory and social experience expanding beyond the emphasis on visuality and evidence in documentary studies. The case studies successfully interrogate the multidimensional functioning of documentary sound and the political and cultural contexts encoded in sonic expression. A stimulating read, the book is highly recommended to scholars and students engaged in the study and practice of documentary and Global South studies."
-- Shweta Kishore, RMIT University

Voir le site internet de l'éditeur Lexington Books