MENU   

Politics of Architecture in Contemporary Argentine Cinema

by

Type
Essays
Subject
Countries
Keywords
Argentina, architecture, city
Publishing date
Publisher
Palgrave MacMillan
Collection
Hispanic Urban Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover172 pages
6 x 8 ½ inches (15 x 21.5 cm)
ISBN
978-3-319-55190-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
This book considers how architectural landmarks, imagined buildings and urban landscapes take part in the production of meaning in contemporary Argentine cinema. From the iconic Buenos Aires Obelisk to the Hilton International Hotel, the shopping center to the café and the Le Corbusier-designed Curutchet House to the gated community, architecture in these films evokes the political. Tracing architecture’s expression through six films produced since the 1990s―Pizza birra faso, Mundo grúa, Nueve reinas, La niña santa, La antena and El hombre de al lado―Amanda Holmes studies how architecture in cinema elicits political memory, underscores marginalization and class discrepancies, creates nostalgia for neighborhoods and re-evaluates existing communities. Generously illustrated and carefully researched, the book offers an in-depth reading of key contemporary Argentine films and a fresh architectural approach to film analysis.

About the Author:
Amanda Holmes is Associate Professor of Latin American literature and film at McGill University, Canada. She is author of City Fictions: Language, Body and Spanish American Urban Space (2007) and co-editor of Cultures of the City: Mediating Identities in Urban Latin/o America (2010).

Press Reviews:
"Amanda Holmes offers a thorough and detailed analysis of six Argentine films, focusing particularly on the architectonic sites (and/or spaces) represented in the films; their history; their relationship with the films’ plot and aesthetics; and their political, economic, social, and cultural meanings in the context of these films. The visual analysis is indeed outstanding, and the arguments created in relation to these films are enlightening and stimulating." (Gabriela Copertari, Case Western Reserve University, USA)

See the

> On a related topic:

Hear Me with Your Eyes:Women, Visions, and Voices in Argentine Cinema

(2022)

Women, Visions, and Voices in Argentine Cinema

by

Subject: Countries >

Picturing Argentina:Myths, Movies, and the Peronist Vision

(2022)

Myths, Movies, and the Peronist Vision

by

Subject: Countries >

Before Bemberg:Women Filmmakers in Argentina

(2020)

Women Filmmakers in Argentina

by

Subject: Countries >

Nation, Culture and Class in Argentine Cinema:Crisis and Representation (1998-2005)

(2020)

Crisis and Representation (1998-2005)

by

Subject: Countries >

Argentine Cinema:From Noir to Neo-Noir

(2020)

From Noir to Neo-Noir

by and

Subject: Countries >

Blood Circuits:Contemporary Argentine Horror Cinema

(2019)

Contemporary Argentine Horror Cinema

by

Subject: Countries >

Affectual Erasure:Representations of Indigenous Peoples in Argentine Cinema

(2019)

Representations of Indigenous Peoples in Argentine Cinema

by

Subject: Countries >

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info