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Pinewood
Anatomy of a Film Studio in Post-war Britain
by Sarah Street
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Book Presentation:
This open access book examines how Pinewood came to be Britain’s dominant film studio complex, focusing on key years following the Second World War. It presents a revisionist, micro history of the studio and its longevity during a particularly turbulent period, explaining Pinewood’s survival at a time when other major film studios such as Denham closed. This book also provides contemporary insights into how Pinewood’s technologies, practices, and filmmaking methods compared to Hollywood’s. Thirteen films produced in 1946–47 are analysed in detail, tracking how economic pressures engendered many creative techniques and innovative technologies. Prevailing cultures of management and labour organization are foregrounded, as well as insights into being a studio employee. These are vividly brought to life through an in-depth focus on the in-house studio magazine Pinewood Merry-Go-Round, which provides rare details of sports and leisure activities organized at the studios.
See the publisher website: Palgrave MacMillan
> From the same author:
Global Film Color (2024)
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Colour Films in Britain (2022)
The Eastmancolor Revolution
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Chromatic Modernity (2019)
Color, Cinema, and Media of the 1920s
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Color and the Moving Image (2012)
History, Theory, Aesthetics, Archive
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Subject: Technique > Aesthetics
Colour Films in Britain (2012)
The Negotiation of Innovation, 1900-55
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Subject: Countries > Great Britain
> On a related topic:
J. Arthur Rank and the British Film Industry (1994)
Subject: Countries > Great Britain
Great Expectations (2025)
British Postwar Cinema 1945-1960
Dir. Ehsan Khoshbakht
Subject: Countries > Great Britain
The British Trauma Film (2024)
Psychoanalysis and Popular British Cinema in the Immediate Aftermath of the Second World War
by Adam Plummer
Subject: Countries > Great Britain
Projecting Britain at War (2014)
The National Character in British World War II Films
Subject: Countries > Great Britain
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