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Realism in Greek Cinema
From the Post-War Period to the Present
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Book Presentation:
The history of Greek cinema post-1945 is best understood through the stories of its most internationally celebrated and influential directors. Focusing on the works of six major filmmakers active from just after WWII to the present day, with added consideration of many others, this book examines the development of cinema as an art form in the social and political contexts of Greece. Insights on gender in film, minority cinemas, stylistic richness and the representation of historical trauma are afforded by close readings of the work and life of such luminaries as Michael Cacoyannis, Nikos Koundouros, Yannis Dalianidis, Theo Angelopoulos, Antouanetta Angelidi, Yorgos Lanthimos, Athena-Rachel Tsangari and Costas Zapas. Throughout, the book examines how directors visually transmute reality to represent unstable societies, disrupted collective memories and national identity.
About the Author:
Vrasidas Karalis is Associate Professor in Modern Greek Studies at the University of Sydney, Australia. He has published extensively on Greek culture, history and art. He is the editor of the Journal of Modern Greek Studies (Australia and New Zealand). In the area of film studies he has published on Theo Angelopoulos, Sergei Eisenstein and Alfred Hitchcock.Lúcia Nagib is Professor of Film and Director of the Centre for Film Aesthetics and Cultures (CFAC) at the University of Reading. Her research has focused, among other subjects, on polycentric approaches to world cinema, new waves and new cinemas, cinematic realism and intermediality. She is the author of World Cinema and the Ethics of Realism (Continuum, 2011), Brazil on Screen: Cinema Novo, New Cinema, Utopia (I.B. Tauris, 2007), The Brazilian Film Revival: Interviews with 90 Filmmakers of the 90s (Editora 34, 2002), Born of the Ashes: The Auteur and the Individual in Oshima's Films (Edusp, 1995), Around the Japanese Nouvelle Vague (Editora da Unicamp, 1993) and Werner Herzog: Film as Reality (EstaçãoLiberdade, 1991). She is the editor of Impure Cinema: Intermedial and Intercultural Approaches to Film (with Anne Jerslev, 2013), Theorizing World Cinema (with Chris Perriam and Rajinder Dudrah, I.B. Tauris, 2011), Realism and the Audiovisual Media (with Cecília Mello, Palgrave, 2009), The New Brazilian Cinema (I.B. Tauris, 2003), Master Mizoguchi (Navegar, 1990) and Ozu (Marco Zero, 1990).Julian Ross is a University Lecturer at the Centre for the Arts in Society.
See the publisher website: Bloomsbury Academic
> From the same author:
The Cinematic Language of Theo Angelopoulos (2021)
Subject: Director > Theo Angelopoulos
> On a related topic:
Animals and Greek Cinema (2025)
An Inquiry into the Nonhuman
The Greek Film Musical (2005)
A Critical and Cultural History
The Films of Antoinetta Angelidi (2024)
Dir. Penny Bouska and Sotiris Petridis
Subject: Director > Antoinetta Angelidi
The Cinema of Theo Angelopoulos (2015)
Dir. Angelos Koutsourakis and Mark Steven
Subject: Director > Theo Angelopoulos
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