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Grendel Grendel Grendel

Animating Beowulf

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Type
Essays
Sujet
One Film > 
Mots Clés
Alex Stitt, animation
Année d'édition
Editeur
Bloomsbury Academic
Collection
Animation: Key Films/Filmmakers
1ere édition
2021
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 216 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-5013-8111-9
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Description de l'ouvrage:
This open access study of the film Grendel Grendel Grendel, directed by Alexander Stitt, presents it as a masterpiece of animation and design which has attained a national and international cult status since its release in 1981.

The film, based on the novel, Grendel, by John Gardner, is a loose adaptation of the Beowulf legend, but told from the point of view of the monster, Grendel. Grendel Grendel Grendel is a mature, intelligent, irreverent and quite unique animated film - it is a movie, both in terms of content and of an aesthetic that was well ahead of its time. Along with a brief overview of Australian animation and a contextualization of where this animated feature fits within the broader continuum of Australian (and global) film history, Dan Torre and Lienors Torre provide an intriguing analysis of this significant Australian animated feature.

The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.

À propos des auteurs :
Dan Torreis a lecturer in the School of Media and Communication at RMIT University in Melbourne, Australia. He has written widely on animation, media and popular culture.Lienors Torre is a senior lecturer in the School of Communication and Creative Arts at Deakin University, Australia. She writes on animation and related areas and is co-author of the book, Australian Animation - An International History (2018). She is also a practicing animator and artist.Chris Pallant is Head of the School of Design at University of Greenwich, UK. He is the author of Demystifying Disney (2011) and Storyboarding: A Critical History (2015), and editor of Animated Landscapes: History, Form and Function (2015) and Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy (2021). He currently serves as President for the Society for Animation Studies.Cristina Formenti is Assistant Professor in Film Studies at University of Udine, Italy. She is author of Il mockumentary: la fiction si maschera da documentario (2013), and editor of Mariangela Melato tra cinema, teatro e televisione (2016) and Valentina Cortese: un'attrice intermediale (2019). Her work has appeared in various national and international journals, such as Studies in Documentary Film, Alphaville, and Horror Studies. Dr. Formenti is also the co-editor of the journal Animation Studies and of the Bloomsbury series Animation: Key Films/Filmmakers and currently serves as President of the Society for Animation Studies.

Revue de Presse:
"Dan and Lienors Torre continue their invaluable contribution to the histories of Australian (and international) animation with this fascinating study of Alexander Stitt's utterly unique cult classic Grendel Grendel Grendel (1981), its production and circulation, and its themes and resonances as a 'reanimation' of Beowulf's monster." ―Stephen Morgan, Screening Coordinator, Menzies Australia Institute, King's College London, UK

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