Hitchcock and Philosophy
Dial M for Metaphysics
Edited by David Baggett and William A. Drumin
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
The shower scene in Psycho; Cary Grant running for his life through a cornfield; innocent” birds lined up on a fence waiting, watching these seminal cinematic moments are as real to moviegoers as their own lives. But what makes them so? What deeper forces are at work in Hitchcock’s films that so captivate his fans? This collection of articles in the series that’s explored such pop-culture phenomena as Seinfeld and The Simpsons examines those forces with fresh eyes. These essays demonstrate a fascinating range of topics: Sabotage’s lessons about the morality of terrorism and counter-terrorism; Rope’s debatable Nietzschean underpinnings; Strangers on a Train’s definition of morality. Some of the essays look at more overarching questions, such as why Hitchcock relies so heavily on the Freudian unconscious. In all, the book features 18 philosophers paying a special homage to the legendary auteur in a way that’s accessible even to casual fans.
See the publisher website: Open Court
See the complete filmography of Alfred Hitchcock on the website: IMDB ...
> From the same authors:
Ted Lasso and Philosophy (2024)
No Question Is Into Touch
Dir. Marybeth Baggett and David Baggett
Subject: One Film > Ted Lasso (TV Series)
> On a related topic:
Cultural Theory in the Films of Alfred Hitchcock (2023)
Subject: Director > Alfred Hitchcock
Must We Kill the Thing We Love? (2014)
Emersonian Perfectionism and the Films of Alfred Hitchcock
Subject: Director > Alfred Hitchcock
The Philosophical Hitchcock (2019)
Vertigo and the Anxieties of Unknowingness