MENU   

Harmony Korine

Interviews

Sous la direction de

Type
Interviews
Sujet
Director
Mots Clés
Harmony Korine, director, interviews
Année d'édition
Editeur
University Press of Mississippi
Collection
Conversations with Filmmakers
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback252 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-4968-0463-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Harmony Korine: Interviews tracks filmmaker Korine's stunning rise, fall, and rise again through his own evolving voice. Bringing together interviews collected from over two decades, this unique chronicle includes rare interviews unavailable in print for years and an extensive, new conversation recorded at the filmmaker's home in Nashville.

After more than twenty years, Harmony Korine (b. 1973) remains one of the most prominent and yet subversive filmmakers in America. Ever since his entry into the independent film scene as the irrepressible prodigy who wrote the screenplay for Larry Clark's Kids in 1992, Korine has retained his stature as the ultimate cinematic provocateur. He both intelligently observes modern social milieus and simultaneously thumbs his nose at them. Now approaching middle age, and more influential than ever, Korine remains intentionally sensationalistic and ceaselessly creative.

He parlayed the success of Kids into directing the dreamy portrait of neglect Gummo two years later. With his audacious 1999 digital video drama Julien Donkey-Boy, Korine continued to demonstrate a penchant for fusing experimental, subversive interests with lyrical narrative techniques. Surviving an early-career burnout, he resurfaced with a trifecta of insightful works that built on his earlier aesthetic leanings: a surprisingly delicate rumination on identity (Mister Lonely, 2007), a gritty quasi-diary film (Trash Humpers, 2009) and a blistering portrait of American hedonism (Spring Breakers, 2013), which yielded significant commercial success. Throughout his career he has also continued as a mixed-media artist whose fields included music videos, paintings, photography, publishing, songwriting, and performance art.

Voir le

> Sur un thème proche :

Last Words:Considering Contemporary Cinema

(2014)

Considering Contemporary Cinema

de

Sujet :

Sydney Pollack:Collected Interviews

(2026)

Collected Interviews

Dir. et

Sujet : Director >

Fred Schepisi:Interviews

(2025)

Interviews

Dir.

Sujet : Director >

Cinema Her Way:Visionary Female Directors in Their Own Words

(2025)

Visionary Female Directors in Their Own Words

de

Sujet :

Samuel Fuller:Interviews

(2024)

Interviews

Dir.

Sujet : Director >

Merchant-Ivory:Interviews

(2024)

Interviews

Dir.

Sujet : Director >

16917 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info