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Experiencing Cinema

Participatory Film Cultures, Immersive Media and the Experience Economy

by Emma Pett

Type
Essays
Subject
General
Keywords
viewer, alternative
Publishing date
2022
Publisher
Bloomsbury Academic
1st publishing
2021
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 248 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-5013-7488-3
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Book Presentation:
Film is often conceived as a medium that is watched rather than experienced. Existing studies of film audiences, and of media reception more broadly, have revealed the complexity of viewing practices and cultures surrounding cinema-going and its exhibition spaces. Experiencing Cinema offers the first in-depth study of participant engagement with a range of experiential media forms derived from cinema culture. From sing-a-long screenings to theatrical extravaganzas, a broad spectrum of alternative film-going practices and immersive spaces are explored and analysed in this original audience study.

Moving from intimate community gatherings to blockbuster urban venues, from isolated farmhouses to Olympic stadia, Experiencing Cinema considers the lure and value of these popular events. Often attracting a diverse, intergenerational range of participants, from early-adopter urban hipsters to DIY rural communities, the growing demand for participatory cinema within the contemporary marketplace is analysed alongside broader debates circulating around the move away from traditional tiered seating and increased audience mobility and the de-centring of the film text.

About the Author:
Emma Pett is Professor at the University of York, UK. She has published on the reception and regulation of films in The New Review of Film and Television Studies, The Journal of British Cinema and Television and Transnational Cinemas, and has chapters in Live Cinema: Cultures, Economies, Aesthetics (2017) and Princess Mononoke: Understanding Studio Ghibli's Monster Princess (2018).

Press Reviews:
"This is in my judgement a really rich and valuable book. Built on a combination of deep and wide scholarly reading, linked critically with some really good empirical research into different areas of 'alternative' cinema, it will bid fair to become the key book in the area for some time." ―Martin Baker, Emeritus Professor of Film and Television Studies, Aberystwyth University, UK

See the publisher website: Bloomsbury Academic

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