MENU   

The Documentary Handbook

by

Type
Studies
Subject
Genre > 
Keywords
documentary
Publishing date
Publisher
Routledge
Collection
Media Practice
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 432 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-415-43402-7
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
'The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today’s exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.' – Tony Steyger, Principal Lecturer, Southampton Solent University, UK

The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes.

The Documentary Handbook explains the documentary process, skills and job specifications for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional Expert Briefings it gives practical pointers about programme-making, from research, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe.

About the Author:
Peter Lee-Wright is a documentary film-maker with 30 years’ experience working for the BBC and Channel 4. He is currently Senior Lecturer in Media & Communications at Goldsmiths College, University of London. His most recent writing – critical overviews of sports documentary and trade union documentary – was published in Routledge’s Encyclopedia of the Documentary Film (2005).

Press Reviews:
'The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today’s exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.' Tony Steyger, Principal Lecturer and Film-maker, Southampton Solent University

See the

> On a related topic:

Documentary Film:A Very Short Introduction

(2026)

A Very Short Introduction

by

Subject: Genre >

André Bazin on Documentary:Cinema's Urge to Explore

(2026)

Cinema's Urge to Explore

Dir.

Subject: Genre >

Staging Nuremberg:How the United States and the Soviet Union Fought Over the Portrayal of Nazi Crimes

(2026)

How the United States and the Soviet Union Fought Over the Portrayal of Nazi Crimes

by

Subject: Genre >

Interactive Documentary and Non-Fiction Media:Relational Practice and (De)Stabilized Reception

(2026)

Relational Practice and (De)Stabilized Reception

Dir. , and

Subject: Genre >

Collaborative Documentary Filmmaking:A Hands-On Guide to Creative Collaborative Practice

(2026)

A Hands-On Guide to Creative Collaborative Practice

by

Subject: Genre >

Documentary's Transmedia Metamorphosis:Content Production and Social Change

(2026)

Content Production and Social Change

by

Subject: Genre >

Antifascism and the Avant-Garde:Radical Documentary in the 1960s

(2025)

Radical Documentary in the 1960s

by

Subject: Genre >

The Interactive Documentary Form:Aesthetics, Practice and Research

(2025)

Aesthetics, Practice and Research

by

Subject: Genre >

17412 books listed   •   (c)2024-2026 cinemabooks.info   •     •   Privacy policy
Books in French are on www.livres-cinema.info