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Cinema, Transnationalism, and Colonial India
Entertaining the Raj
by Babli Sinha
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Book Presentation:
Through the lens of cinema, this book explores the ways in which the United States, Britain and India impacted each other politically, culturally and ideologically. It argues that American films of the 1920s posited alternative notions of whiteness and the West to that of Britain, which stood for democracy and social mobility even at a time of virulent racism.
The book examines the impact that the American cinema has on Indian filmmakers of the period, who were integrating its conventions with indigenous artistic traditions to articulate an Indian modernity. It considers the way American films in the 1920s presented an orientalist fantasy of Asia, which occluded the harsh realities of anti-Asian sentiment and legislation in the period as well as the exciting engagement of anti-imperial activists who sought to use the United States as the base of a transnational network. The book goes on to analyse the American ‘empire films’ of the 1930s, which adapted British narratives of empire to represent the United States as a new global paradigm.
Presenting close readings of films, literature and art from the era, the book engages cinema studies with theories of post-colonialism and transnationalism, and provides a novel approach to the study of Indian cinema.
About the Author:
Babli Sinha is Assistant Professor of English and Director of Media Studies at Kalamazoo College, USA. She is the editor of South Asian Transnationalisms: Cultural Exchange in the Twentieth Century (Routledge, 2011).
See the publisher website: Routledge
> From the same author:
South Asian Transnationalisms (2014)
Cultural Exchange in the Twentieth Century
Dir. Babli Sinha
Subject: Countries > South Asia
> On a related topic:
Cinema at the End of Empire (2006)
A Politics of Transition in Britain and India
Americanizing Britain (2016)
The Rise of Modernism in the Age of the Entertainment Empire
Subject: Countries > Great Britain
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