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Women and Resistance in Contemporary Bengali Cinema

A Freedom Incomplete

by

Type
Studies
Subject
Countries
Keywords
Bengal, women, India
Publishing date
Publisher
Routledge
Collection
Routledge Contemporary South Asia Series
1st publishing
2016
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback172 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-138-61578-6
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Book Presentation:
Historically, Indian cinema has positioned women at the intersection of tradition and a more evolving culture, portraying contradictory attitudes which affect women’s roles in public and private spheres.

Examining the work of three directors from West Bengal, this book addresses the juxtaposition of tradition and culture regarding women in Bengali cinema. It argues the antithesis of women’s roles, particularly in terms of ideas of resistance, revolution, change, and autonomy, by suggesting they convey resistance to hegemonic structures, encouraging a re-envisioning of women’s positions within the familial-social matrix. Along with presenting a perception of culture as dynamic and evolving, the book discusses how some directors show that with this rupturing of the traditionally prohibitive, and a notion of unmaking and making in women, a traditional inclination is exposed to align women with ideas of absence, substitution, and disposability. The author goes on to show how selected auteurs in contemporary Bengali cinema break with certain traditional representations of women, gesturing towards a culture that is more liberating for women.

Presenting the first full-length study of women’s changing roles over the last twenty years of Bengali cinema, this book will be a useful contribution for students and scholars of South Asian Culture, Film Studies and Gender Studies.

About the Author:
Srimati Mukherjee is Professor of English at Temple University in Philadelphia, USA.

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