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Shoah

by Sue Vice

Type
Studies
Subject
One FilmShoah
Keywords
Claude Lanzmann, holocaust
Publishing date
2026 (January 08, 2026)
Publisher
BFI Publishing
Collection
BFI Film Classics
2nd edition
1st publishing
2011
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 104 pages
5 ¼ x 7 ½ inches (13.5 x 19 cm)
ISBN
978-1-83902-988-2
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Book Presentation:
Sue Vice's study explores Claude Lanzmann's epic 1985 film Shoah both as cinema and as an example of Holocaust representation. Shoah, the distillation of more than 350 hours of footage gathered over eleven years, tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Eschewing staple documentary elements of archival footage or narrating voiceover, the film is composed entirely of eyewitness interviews contrasted with footage of landscape in the present, and the chilling imagery of travelling trains. Shoah's effect is to represent the past, but only as it exists in the present - in Lanzmann's words, a "fiction of the real", and not a simple documentary.

In a series of close readings of some of the film's interviews, Sue Vice follows Lanzmann's declaration that "Shoah is a fight against generalities", in emphasising the importance of detail in both dialogue and filmic technique. Through these analyses, Vice explores the background to the film, the difficulties in its financing and production, and the long process of editing that led to Lanzmann's realisation that "the subject of my film is death itself; death and not survival."

In her afterword to this new edition, Sue Vice considers developments such as the online availability of the complete 'Shoah Collection', Lanzmann's archive at the United States Holocaust Memorial Museum, and Shoah's continuing influence on films that witness genocides and the Holocaust, including Joshua Oppenheimer's The Look of Silence (2014), and Jonathan Glazer's The Zone of Interest (2023).

About the Author:
Sue Vice is Professor of English Literature at the University of Sheffield, UK.

See the publisher website: BFI Publishing

See Shoah (1985) on IMDB ...

> Books with the same or similar title:

> From the same author:

Claude Lanzmann's 'Shoah' Outtakes:Holocaust Rescue and Resistance

Claude Lanzmann's 'Shoah' Outtakes (2023)

Holocaust Rescue and Resistance

by Sue Vice

Subject: One Film > Shoah

> On a related topic:

The Construction of Testimony:Claude Lanzmann's Shoah and Its Outtakes

The Construction of Testimony (2020)

Claude Lanzmann's Shoah and Its Outtakes

Dir. Erin McGlothlin, Brad Prager and Markus Zisselsberger

Subject: One Film > Shoah

An Archive of the Catastrophe:The Unused Footage of Claude Lanzmann's Shoah

An Archive of the Catastrophe (2019)

The Unused Footage of Claude Lanzmann's Shoah

by Jennifer Cazenave

Subject: One Film > Shoah

Concentrationary Cinema:Aesthetics as Political Resistance in Alain Resnais's Night and Fog

Concentrationary Cinema (2014)

Aesthetics as Political Resistance in Alain Resnais's Night and Fog

Dir. Griselda Pollock and Max Silverman

Subject: One Film > Night and Fog

Uncovering the Holocaust:The International Reception of Night and Fog

Uncovering the Holocaust (2006)

The International Reception of Night and Fog

Dir. Ewout van der Knaap

Subject: One Film > Night and Fog

Spielberg S Holocaust:Critical Perspectives on Schindler S List

Spielberg S Holocaust (1997)

Critical Perspectives on Schindler S List

Dir. Yosefa Loshitzky

Subject: One Film > Schindler's List

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