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Film, Religion and Activist Citizens

An ontology of transformative acts

by

Type
Studies
Subject
Keywords
religion, radical
Publishing date
Publisher
Routledge
1st publishing
2017
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback166 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-88450-5
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Book Presentation:

Film can be a socio-political and artistic-transformative cultural practice through which acts and activism are performed. Going beyond ideological constructs of activism and legal definitions of citizenship, this book offers a novel approach to understanding the ontology of acts and activist citizenship, particularly in the context of their expression through film.

The author approaches film as act and focuses on the scene of film as a space that goes beyond representation, constituting its own reality through which activist citizens emerge. By looking at autonomous creative acts through a range of directors' works from across the world, the author explores both the ontological and ontic dimensions of transformative acts of citizenship. In doing this the author poses the question of whether citizens are stepping out of dominant cultural ideologies to overcome social, ethnic, religious and economic divisions.

This book is a fresh exploration of the ontology of acts and is essential reading for any academic interested in religion, theology, film and citizenship studies.

About the Author:
Milja Radovic is an academic working in the interdisciplinary field of religion, media and citizenship studies. Her academic studies traverse several fields, including citizenship, nationalism, conflict, peacebuilding and visual arts, gender studies, transnational cinema and ideology. Alongside her academic work she is actively engaged with the public sector, being an active member of Interfilm and serving as a juror at several International film festivals.

Press Reviews:
‘This book opens a new archive in which to investigate how creative and transformative acts of citizenship are performed. Through rich interpretations of carefully selected films Radovic constitutes filmmakers as activist citizens and the film as a site of activism. It is a genuine pleasure ‘seeing’ these films in a whole new way where scenes of making rights claims come alive. It is a splendid performance itself.’
Engin Isin, Professor in International Politics, Queen Mary University of London and University of London Institute in Paris

‘The book is intellectually lively, well grounded in theory, and balanced with approachable and methodologically sound case studies.’
Diana Murtaugh Coleman in Reading Religion

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Representing Religion, Identity and Cultural Myths

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