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The Art of Adapting Victorian Literature, 1848-1920

Dramatizing Jane Eyre, David Copperfield, and The Woman in White

by Karen E. Laird

Type
Studies
Subject
TechniqueAdaptation
Keywords
adaptation, literature
Publishing date
2019
Publisher
Routledge
Collection
An Ashgate Book
1st publishing
2015
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 248 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-88009-5
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Book Presentation:
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.

About the Author:
Karen E. Laird has taught courses in Victorian literature and film history at the University of Colorado, the University of Missouri, Stephens College, and the University of Salford. She has published articles on literary adaptation in such journals as Women’s Writing, Nineteenth-Century Contexts, and Literature/Film Quarterly. Karen lives and writes in Manchester, England.

Press Reviews:
'Karen E. Laird's work on silent films is truly a seminal work.' Brontë Blog

See the publisher website: Routledge

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