MENU   

Crossover Stars in the Hindi Film Industry

Globalizing Pakistani Identity

de

Type
Studies
Sujet
Countries
Mots Clés
Hindi cinema, stars, Pakistan, India
Année d'édition
Editeur
Routledge
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback200 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-26680-6
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
This book explores the cultural politics of Pakistani crossover stardom in the Hindi film industry as a process of both assimilation and “Otherness”. Analysing the career profiles of three crossover performers – Ali Zafar, Fawad Khan, and Mahira Khan – as a relevant case study, it unites critical globalization studies with soft power theory in exploring the potential of popular culture in conflict resolution.

The book studies the representation and reception of these celebrities, while discussing themes such as the meaning of being a Pakistani star in India, and the consequent identity politics that come into play. As the first comprehensive study of Pakistani crossover stardom, it captures intersections between political economy, cultural representation, and nationalist discourse, at the same time reflecting on larger questions of identity and belonging in an age of globalization.

Crossover Stars in the Hindi Film Industry will be indispensable to researchers of film studies, media and cultural studies, popular culture and performance, peace and area studies, and South Asian studies. It will also be of interest to enthusiasts of Indian cinematic history.

À propos de l'auteur :
Dina Khdair is an independent scholar. She has an MA in Media and Cinema Studies from DePaul University, Illinois, USA. Her research interests include globalization and Hindi cinema, narrative studies, and the convergence of commercial entertainment industries. She has presented original work at the Society for Cinema and Media Studies and was a contributor for the online journal Antenna through the University of Wisconsin-Madison, USA. Her work has appeared in the peer-reviewed journals Studies in South Asian Film and Media and SAGAR. She intends to continue her research pursuits at the doctoral level.

Voir le

> Sur un thème proche :

Networked Bollywood:How Star Power Globalized Hindi Cinema

(2024)

How Star Power Globalized Hindi Cinema

de

Sujet : Countries >

Bollywood:Gods, Glamour, and Gossip

(2009)

Gods, Glamour, and Gossip

de

Sujet : Countries >

Wanted Cultured Ladies Only!:Female Stardom and Cinema in India, 1930s-1950s

(2009)

Female Stardom and Cinema in India, 1930s-1950s

de

Sujet : Countries >

Filming the Line of Control:The Indo–Pak Relationship through the Cinematic Lens

(2019)

The Indo–Pak Relationship through the Cinematic Lens

Dir. et

Sujet : Countries >

Devotional Fanscapes:Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond

(2023)

Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond

de

Sujet :

Stardom in Contemporary Hindi Cinema:Celebrity and Fame in Globalized Times

(2020)

Celebrity and Fame in Globalized Times

Dir. et

Sujet : Countries >

Living the Dream:The Life of the Bollywood Actor

(2016)

The Life of the Bollywood Actor

de

Sujet : Countries >

17082 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info