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Women in the Cinemas of Iran and Turkey

As Images and as Image-Makers

by

Type
Studies
Subject
Countries
Keywords
Middle East, women, Iran, Turkey
Publishing date
Publisher
Routledge
Collection
Routledge Studies in Middle East Film and Media
1st publishing
2020
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback360 pages
6 x 9 ½ inches (15.5 x 24 cm)
ISBN
978-0-367-78497-3
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Book Presentation:
This volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasizing issues facing women's film-making.

Presenting an overview of the modern histories of the two neighbouring countries, the study traces certain similarities and contrasts, particularly in the reception, adaption and representation of Western modernity and cinema. This is followed by the exploration of the images of women on screen with attention to minority women, investigating post-traumatic cinema's approaches to women (Islamic Revolution of 1979 in Iran and the 1980 coup d’état in Turkey) and women's interpretations of post-traumatic experiences. Furthermore, the representations of sexualities and LGBTI identities within cultural, traditional and state-imposed restrictions are also discussed. Investigating border-crossing in physical and metaphorical terms, the research explores the hybridities in the artistic expressions of 'deterritorialized' film-makers negotiating loyalties to both vatan (motherland) and the adopted country.

This comprehensive analysis of the cinemas of Iran and Turkey, based on extensive research, fieldwork, interviews and viewing of countless films is a key resource for students and scholars interested in film, gender and cultural studies and the Middle East.

About the Author:
Gönül Dönmez-Colin is a film scholar specializing in the cinemas of the Middle East and Central Asia. She is the author of The Routledge Dictionary of Turkish Cinema, Turkish Cinema: Identity, Distance and Belonging, Cinemas of the Other: A Personal Journey with Filmmakers from the Middle East and Central Asia, Women, Islam and Cinema amongst other works.

See the

> From the same author:

Cinemas of the Other:A Personal Journey with Film-Makers from Central Asia

(2012)

A Personal Journey with Film-Makers from Central Asia

by

Subject: Countries >

Cinemas of the Other:A Personal Journey with Film-Makers from Iran and Turkey

(2012)

A Personal Journey with Film-Makers from Iran and Turkey

by

Subject: Countries >

Turkish Cinema:Identity, Distance and Belonging

(2008)

Identity, Distance and Belonging

by

Subject: Countries >

Cinemas of the Other:A Personal Journey with Film-makers from the Middle East and Central Asia

(2006)

A Personal Journey with Film-makers from the Middle East and Central Asia

by

Subject: Countries >

> On a related topic:

Women's New Cinema in Contemporary Turkey:As If We Were Free, As If a Beautiful Life Were Possible

(2025)

As If We Were Free, As If a Beautiful Life Were Possible

by

Subject: Countries >

Women and Turkish Cinema:Gender Politics, Cultural Identity and Representation

(2014)

Gender Politics, Cultural Identity and Representation

by

Subject: Countries >

Negotiating Dissidence:The Pioneering Women of Arab Documentary

(2017)

The Pioneering Women of Arab Documentary

by

Subject: Countries >

Cinema in Turkey:A New Critical History

(2010)

A New Critical History

by

Subject: Countries >

Arab, Muslim, Woman:Voice and Vision in Postcolonial Literature and Film

(2014)

Voice and Vision in Postcolonial Literature and Film

by

Subject:

Relaying Cinema in Midcentury Iran:Material Cultures in Transit

(2022)

Material Cultures in Transit

by

Subject: Countries >

Reform Cinema in Iran:Film and Political Change in the Islamic Republic

(2016)

Film and Political Change in the Islamic Republic

by

Subject: Countries >

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