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The Routledge Companion to Cult Cinema
Edited by Ernest Mathijs and Jamie Sexton
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Book Presentation:
The Routledge Companion to Cult Cinema offers an overview of the field of cult cinema – films at the margin of popular culture and art that have received exceptional cultural visibility and status mostly because they break rules, offend, and challenge understandings of achievement (some are so bad they’re good, others so good they remain inaccessible).
Cult cinema is no longer only comprised of the midnight movie or the extreme genre film. Its range has widened and the issues it broaches have become battlegrounds in cultural debates that typify the first quarter of the twenty-first century. Sections are introduced with the major theoretical frameworks, philosophical inspirations, and methodologies for studying cult films, with individual chapters excavating the most salient criticism of how the field impacts cultural discourse at large. Case studies include the worst films ever; exploitation films; genre cinema; multiple media formats cult cinema is expressed through; issues of cultural, national, and gender representations; elements of the production culture of cult cinema; and, throughout, aspects of the aesthetics of cult cinema – its genre, style, look, impact, and ability to yank viewers out of their comfort zones.
The Routledge Companion to Cult Cinema goes beyond the traditional scope of Anglophone and North American cinema by including case studies of East and South Asia, continental Europe, the Middle East, and Latin America, making it an innovative and important resource for researchers and students alike.
About the authors:
Ernest Mathijs is Professor of Film Studies at the University of British Columbia, Vancouver, Canada. He teaches and writes on cult cinema. With Jamie Sexton he has written Cult Cinema (2011). He is the co-author of 100 Cult Films and the author of The Cinema of David Cronenberg. Jamie Sexton is Senior Lecturer in Film and Television Studies at Northumbria University, UK. He is author of Cultographies: Stranger Than Paradise (2018) and co-author with Ernest Mathijs of Cult Cinema (2011). He is currently writing a monograph on American independent cinema and indie music cultures.
See the publisher website: Routledge
> From the same authors:
The Screen Censorship Companion (2024)
Critical Explorations in the Control of Film and Screen Media
Dir. Daniel Biltereyst and Ernest Mathijs
Subject: Sociology
The Cinema of David Cronenberg (2008)
From Baron of Blood to Cultural Hero
Subject: Director > David Cronenberg
Alternative Film Culture in Interwar Britain (2008)
by Jamie Sexton
Subject: Countries > Great Britain
Lord of the Rings (2006)
Popular Culture in Global Context
Dir. Ernest Mathijs
Subject: One Film > The Lord of the Rings
Alternative Europe (2004)
Eurotrash and Exploitation Cinema Since 1945
Dir. Ernest Mathijs and Xavier Mendik
> On a related topic:
Defining Cult Movies (2003)
The Cultural Politics of Oppositional Taste
Dir. Mark Jancovich, Antonio Lazario-Reboll and Julian Stringer
Subject: Sociology
Doing Sociology Through Film and Literature (2025)
Imaginings of the Social World
by John Goodwin and Laurie Parsons
Subject: Sociology
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