Interactive Documentary

Theory and Debate

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by Kate Nash

Type

Studies

Subject

Genre > Documentary

Keywords

documentary, technology, interactive

Publishing date

2021

Publisher

Routledge

Language

English

Relative size

Physical desc.

Paperback • 178 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-1-138-63147-2

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Book Presentation:
Tracing continuities in digital and documentary practices, this book is a study of interactive documentary from the perspective of documentary culture. Exploring the dizzying array of new documentary forms that have emerged in the past ten years, the book is grounded in the analysis of multiple recent examples of digital documentary work, drawing out the key issues that the work raises.

These issues provide a starting point for theoretical reflection, with each chapter developing concepts and frameworks to facilitate thinking with and through interactive documentary. The book explores questions of polyvocality, participation, and political voice, as well as the sociality and performativity of digital documentary practice. By thinking deeply and critically about interactive documentary practice, the book charts the many and various ways in which interactive documentaries claim the real – contingently, partially, or, in some cases, collectively. Each chapter draws on a range of examples – from digital games to data visualisations, database documentaries to virtual reality – demonstrating how we might engage with these ‘unstable’ digital texts.

The book will be particularly valuable for students and researchers keen to make connections between documentary and digital media scholarship.

About the Author:
Kate Nash is Associate Professor in the School of Media and Communication, University of Leeds. Her research explores the intersections of documentary practice and digital media culture. She has published widely in leading journals and is co-editor (with Craig Hight) of Studies in Documentary Film.

See the publisher website: Routledge