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Cinema Studies

The Key Concepts (livre en anglais)

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Type
Etudes
Sujet
Mots Clés
théorie
Année d'édition
Editeur
Routledge
Collection
Routledge Key Guides
6th edition
1ere édition
1996
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché682 pages
14 x 22 cm
ISBN
978-0-367-64637-0
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Description de l'ouvrage :
Now in its sixth edition, this essential guide for students provides accessible definitions of a comprehensive range of genres, movements, world cinemas, theories and production terms.

This fully revised and updated book includes new topical entries that explore areas such as film and the environmental crisis; streaming and new audience consumption; diversity and intersectionality; questions related to race and representation; the Black Lives Matter movement; and New Wave Cinemas of Eastern European countries. Further new entries include accented/exilic cinema, border-cinema, the oppositional gaze, sonic sound and Black westerns. Existing entries have been updated, including discussion of #MeToo, and more contemporary film examples have been added throughout.

This is a must-have guide for any student starting out on this fascinating area of study and arguably the greatest art form of modern times.

À propos de l'auteur :
Susan Hayward is Emerita Professor of Cinema Studies at the University of Exeter. Her publications include Luc Besson (1998), French National Cinema (second edition, 2005), Simone Signoret: The Star as Cultural Sign (2004), Les Diaboliques (2005), Nikita (2010), French Costume Drama of the 1950s: Fashioning Politics (2010), Film Ecology: Defending the Biosphere – Doughnut Economics and Film Theory and Practice (2020) and Ecology Documentaries: Their Function and Value Seen Through the Lens of Doughnut Economics (2021).

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