French Costume Drama of the 1950s
Fashioning Politics in Film (livre en anglais)
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage :
When political and civil unrest threatened France’s social order in the 1950s, French cinema provided audiences a unique form of escapism from such troubled times: a nostalgic look back to the France of the nineteenth century, with costume dramas set in the age of Napoleon and the Belle Époque. Film critics, however, have routinely dismissed this period of French cinema, overlooking a very important period of political cultural history. French Costume Drama of the 1950s redresses this balance, exploring a diverse range of films including Guitry’s Napoléon (1955), Vernay’s Le Comte de Monte Cristo (1943), and Becker’s Casque d’Or (1952) to expose the political cultural paradox between nostalgia for a lost past and the drive for modernization.
Revue de Presse :
"This may be the best film book of the year, and it is certainly the most minutely researched."—Choice
Choice
Voir le site internet de l'éditeur Intellect Books
> Du même auteur :
Film Ecology (2021)
Defending the Biosphere - Doughnut Economics and Film Theory and Practice
Sujet : Théorie
Ecology Documentaries (2021)
Their Function and Value Seen Through the Lens of Doughnut Economics
Sujet : Genre > Documentaire
The Films of Luc Besson (2007)
Master of Spectacle
Dir. Susan Hayward et Philip Powrie
Sujet : Réalisateur > Luc Besson
> Sur un thème proche :
Transatlantic Cinephilia (2023)
Film Culture between Latin America and France, 1945–1965
Sujet : Généralités
Cahiers du Cinéma (1986)
The 1950s: Neo-Realism, Hollywood, New Wave
de Jim Hillier
Sujet : Les Films > Revues de cinéma
Mixed Feelings in France (2025)
White Femininity and Métissage in French Multicultural Comedy
Nouvelles Femmes (2025)
Modern Women of the French New Wave and Their Enduring Contribution to Cinema
The Cinematic Influence (2024)
Interaction and Exchange Between the Cinemas of France and Japan
Through a Nuclear Lens (2024)
France, Japan, and Cinema from Hiroshima to Fukushima
Gender in French Banlieue Cinema (2024)
Intersectional Perspectives
Dir. Marzia Caporale, Claire Mouflard et Habib Zanzana