Are You Watching Closely?

Cultural Paranoia, New Technologies, and the Contemporary Hollywood Misdirection Film (livre en anglais)

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de Seth Friedman

Type

Etudes

Sujet

Sociologie

Mots Clés

philosophie, temps, perception, réalité

Année d'édition

2018

Editeur

State University of New York Press

Collection

SUNY series, Horizons of Cinema

1ere édition

2017

Langue

anglais

Taille du livre

Format

Broché • 278 pages
16 x 24 cm

ISBN

978-1-4384-6590-6

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Description de l'ouvrage :
Identifies a new genre—misdirection films—and explains its appeal to contemporary producers and audiences.

Are You Watching Closely? is the first book to explore the recent spate of "misdirection films," a previously unidentified Hollywood genre characterized by narratives that inspire viewers to reinterpret them retrospectively. Since 1990, Hollywood has backed more of these films than ever before, many of which, including The Sixth Sense (1999), A Beautiful Mind (2001), and Inception (2010), were both commercial and critical successes. Seth Friedman examines this genre in its sociocultural, industrial, and technological contexts to explain why it has become more attractive to producers and audiences.

The recent popularity of misdirection films, Friedman argues, is linked to new technologies that enable repeat viewings and online discussion, which makes it enticing to an industry that depends increasingly on the aftermarket, as well as to historically specific cultural developments. That is, in addition to being well suited for shifting industrial and technological conditions, these films are appealing because they suggest that it remains possible to know what "actually" occurred and who was "really" responsible for events at a time when it is also becoming increasingly recognized that "truth" is relative. Are You Watching Closely? shows how Hollywood's effective strategies for these changing circumstances put it at the forefront of a storytelling trend that has increasingly become important across media. Through close analyses of how misdirection films have been designed, marketed, and received in relation to their contexts, Friedman demonstrates the ways in which they epitomize a kind of narrative experimentation that has become a crucial facet of twenty-first-century audiovisual storytelling.

À propos de l'auteur :
Seth Friedman is Associate Professor of Communication and Theatre and Director of Film Studies at DePauw University.

Revue de Presse :
"…a valuable contribution to any conversation about the cultural, technological, and industrial contexts of turn-of-the-century Hollywood. " — Alphaville: Journal of Film and Screen Media

Voir le site internet de l'éditeur State University of New York Press