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The Haunted Cinema of Pedro Costa

(livre en anglais)

de et

Type
Etudes
Sujet
Réalisateur
Mots Clés
Pedro Costa, Portugal, réalisateur
Année d'édition
Editeur
Indiana University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié232 pages
15,5 x 23 cm
ISBN
978-0-253-07322-8
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Description de l'ouvrage :
For over three decades, Portuguese director Pedro Costa has been widely admired for his unusual and innovative body of work, which has earned accolades and wide acclaim.

The Haunted Cinema of Pedro Costa is the most complete treatment of his work, exploring Costa's feature films from Blood to Vitalina Varela, and from the documentaries to the short films, museum exhibitions, and the forthcoming Daughters of Fire. Authors James Naremore and Darlene J. Sadlier situate Costa within the history and culture of Portugal, at the same time providing insightful close readings and stylistic analysis of the films. Their work explores the unusual features of his artistry and illuminates his unique contribution to cinema.

An accessible portrait of an important artist, The Haunted Cinema of Pedro Costa is an indispensable companion for scholars, students, and cinephiles everywhere.

À propos des auteurs :
James Naremore is Chancellors' Professor Emeritus of Communication and Culture, English, and Comparative Literature at Indiana University Bloomington. He is author of numerous books, among them, More Than Night: Film Noir in Its Contexts; On Kubrick; Some Versions of Cary Grant; Film Noir: A Very Short Introduction; and Charles Burnett: A Cinema of Symbolic Knowledge. He is editor (with Patrick M. Brantlinger) of Modernity and Mass Culture. Darlene J. Sadlier is Professor Emerita of Spanish and Portuguese at Indiana University Bloomington. She is author of numerous books, most recently Memories of Underdevelopment; A Century of Brazilian Documentary Film: From Nationalism to Protest; and The Lilly Library from A to Z: Intriguing Objects in a World-Class Collection (IUP, 2019). She is editor and translator of One Hundred Years after Tomorrow: Brazilian Women's Fiction in the Twentieth Century (IUP, 1992).

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