Easterly Wind
Luso-Orientalisms in Portuguese Dictatorship Films (livre en anglais)
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage :
The filmography representing the ‘Portuguese Orient’ during the Estado Novo (1933–1974) is scarce and late, employing a simplified Luso- tropicalist rhetoric that repeatedly actualises the myth of a vast, long-lost, territory.
This book examines the impact of cinematographic representations of the former Portuguese territories in the Orient on socio-cultural memories and narrative identities, through a critical exhumation of the archives and analysis of existing filmography. The analysis reveals that films of the ‘Portuguese Orient’ depict this imagined community with a certain degree of vagueness. This is largely a consequence of the prolonged disintegration of the metropolis’ relationship with this imagined community, a relationship that was mainly based on projections (about their alleged Portuguese identity) and ruins.
À propos de l'auteur :
Maria do Carmo Picarra is a full researcher at ICNOVA-Institute of Communication at Universidade NOVA de Lisboa, Assistant Professor at Universidade Autonoma de Lisboa, and a film curator. Her research interests include (post)colonial cinematic representations, film propaganda and censorship, and women in decolonisation movements.
> Sur un thème proche :
Portuguese Cinema (1960-2010) (2021)
Consumption, Circulation and Commerce
Hispanic and Lusophone Women Filmmakers (2015)
Theory, Practice and Difference
Dir. Parvati Nair et Julian Gutierrez-Albilla
Contemporary Hispanic Cinema (2013)
Interrogating the Transnational in Spanish and Latin American Film
Dir. Stephanie Dennison
Sujet : Pays > Amérique latine
The Haunted Cinema of Pedro Costa (2025)
de James Naremore et Darlene J. Sadlier
Sujet : Réalisateur > Pedro Costa
Retour
