MENU   

Stardust

Cinematic Archives at the End of the World (livre en anglais)

de

Type
Essais
Sujet
Mots Clés
théorie
Année d'édition
Editeur
University of Minnesota Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché200 pages
14 x 21,5 cm
ISBN
978-1-5179-1650-3
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
An exploration of the fundamental bond between cinema and the cosmos
The advent of cinema occurred alongside pivotal developments in astronomy and astrophysics, including Albert Einstein’s theories of relativity, all of which dramatically altered our conception of time and provided new means of envisioning the limits of our world. Tracing the many aesthetic, philosophical, and technological parallels between these fields, Stardust explores how cinema has routinely looked toward the cosmos to reflect our collective anxiety about a universe without us.

Employing a “cosmocinematic gaze,” Hannah Goodwin uses the metaphorical frameworks from astronomy to posit new understandings of cinematic time and underscore the role of light in generating archives for an uncertain future. Surveying a broad range of works, including silent-era educational films, avant-garde experimental works, and contemporary blockbusters, she carves out a distinctive area of film analysis that extends its reach far beyond mainstream science fiction to explore films that reckon with a future in which humans are absent.

This expansive study details the shared affinities between cinema and the stars in order to demonstrate how filmmakers have used cosmic imagery and themes to respond to the twentieth century’s moments of existential dread, from World War I to the atomic age to our current moment of environmental collapse. As our outlook on the future continues to change, Stardust illuminates the promise of cinema to bear witness to humanity’s fragile existence within the vast expanse of the universe.

À propos de l'auteur :
Hannah Goodwin is assistant professor of film and media studies at Mount Holyoke College.

Voir le

> Sur un thème proche :

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

(2025)

Essays on History, Theory, and the Avant-Garde

de

Sujet :

Cinematic Intermediality:Theory and Practice

(2025)

Theory and Practice

Dir. et

Sujet :

Contemporary Screen Ethics:Absences, Identities, Belonging, Looking Anew

(2025)

Absences, Identities, Belonging, Looking Anew

Dir. , et

Sujet :

Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

(2025)

Developing Philosophy through Audiovisual Media

de

Sujet :

Cinema of/for the Anthropocene:Affect, Ecology, and More-Than-Human Kinship

(2025)

Affect, Ecology, and More-Than-Human Kinship

Dir. et

Sujet :

Film Figures:An Organological Approach

(2025)

An Organological Approach

de

Sujet :

15750 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info