Soviet Rock on Screen
The Life, Death, and Resurrection of a Film Genre (livre en anglais)
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Description de l'ouvrage :
As the Iron Curtain fell and Cold War suspicions thickened in the second half of the twentieth century, the quintessentially American genre of rock and roll, seen as a potent symbol and product of an enemy ideology, quickly became a clandestine import in the USSR. The Soviet underground embraced the forbidden sounds, despite official propaganda that called rock stars social parasites and corrupting sluggards. Contrary to the regime’s desires, the genre grew in popularity until it could no longer be ignored. In the Soviet Union’s last decade, a flailing film industry, controlled by and dependent on an increasingly unstable central government, seized on the rock star as a central figure—and the Soviet rock film was born.
In Soviet Rock on Screen, Rita Safariants chronicles the birth, life, death, and resurrection of a genre that rapidly became one of the most readily recognized cultural signifiers of the perestroika era and which continues to reflect and codify Russian culture. During their initial heyday in the 1980s, rock films were influenced by and encouraged the cultural shifts of perestroika and the incipient political storm. Today, Safariants argues, the reemergence and reconfiguration of the genre indicates the extent to which Soviet-era cultural emblems inform Russian national identity and obliquely support the current political repression under Putin.
À propos de l'auteur :
Rita Safariants is an assistant professor of Russian at the University of Rochester. Her work has been published in the Slavic and East European Journal, Canadian-American Slavic Studies, Studies in Russian and Soviet Cinema, and elsewhere.
Revue de Presse :
"Safariants has created a new archive of texts that allow us a deeper view into the perestroika period, helping us see how the last decade of the USSR has shaped Russia’s present. A highly original contribution." -- Lilya Kaganovsky, author of The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928–1935
"A fun, deeply researched, persuasively argued tour through the rise, fall, and resurrection of the Soviet rock film, a genre that played a major role in Gorbachev’s USSR and that has seen a surprising resurrection in Putin’s Russia." -- Stephen Norris, author of Blockbuster History in the New Russia: Movies, Memory, Patriotism
Voir le site internet de l'éditeur University of Wisconsin Press
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