MENU   

Popular Tropes of Identity in Contemporary Russian Television and Film

(livre en anglais)

de Irina Souch

Type
Essais
Sujet
PaysRussie / URSS
Mots Clés
Russie, sociologie, années 90, 21e siècle
Année d'édition
2017
Editeur
Bloomsbury Academic
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 246 pages
15 x 23 cm
ISBN
978-1-5013-2906-7
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people’s self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.

À propos de l'auteur :
Irina Souch is Lecturer in Literary and Cultural Analysis at the University of Amsterdam, The Netherlands.

Revue de Presse :
"Parents and children. Us and them. Families in need of repair. Irina Souch analyzes these societal constructions (and more) through case studies of recent Russian popular films and television serials. By exploring the ways that post-Soviet culture has wrestled with individual, group, and familial identities, Souch persuasively demonstrates how contemporary Russianness is constructed through narratives that interpret the past while also reworking popular cultural tropes. Souch illustrates how television shows and films have played important role in the creation of new Russian myths of brotherhood, patriarchal authority, enemies, and family life." ― Stephen M. Norris, Professor of History, Miami University (OH), USA

Voir le site internet de l'éditeur Bloomsbury Academic

> Sur un thème proche :

Cinemasaurus:Russian Film in Contemporary Context

Cinemasaurus (2020)

Russian Film in Contemporary Context

Dir. Nancy Condee, Alexander Prokhorov et Elena Prokhorova

Sujet : Pays > Russie / URSS

Conspiracy Culture:Post-Soviet Paranoia and the Russian Imagination

Conspiracy Culture (2020)

Post-Soviet Paranoia and the Russian Imagination

de Keith A. Livers

Sujet : Pays > Russie / URSS

Pride and Panic:Russian Imagination of the West in Post-Soviet Film

Pride and Panic (2007)

Russian Imagination of the West in Post-Soviet Film

de Yana Hashamova

Sujet : Pays > Russie / URSS

Revolt of the Filmmakers:The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry

Revolt of the Filmmakers (2000)

The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry

de George W. Faraday

Sujet : Pays > Russie / URSS

Early Cinema in Russia:and Its Cultural Reception

Early Cinema in Russia (1998)

and Its Cultural Reception

de Yuri Tsivian

Sujet : Pays > Russie / URSS

Memory Politics in Contemporary Russia:Television, Cinema and the State

Memory Politics in Contemporary Russia (2020)

Television, Cinema and the State

de Mariëlle Wijermars

Sujet : Pays > Russie / URSS

Kinotalk:21st Century

Kinotalk (2020)

21st Century

de Olga Mesropova

Sujet : Pays > Russie / URSS

15750 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info