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Feeling Film

A Spatial Approach (livre en anglais)

de Beth Carroll

Type
Essais
Sujet
L'analyse de films
Mots Clés
procédé narratif, comédie musicale, émotions, espace cinématographique
Année d'édition
2018
Editeur
Springer
Collection
Palgrave Studies in Audio-Visual Culture
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché • 221 pages
15 x 21 cm
ISBN
978-1-349-71177-2
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Description de l'ouvrage :
This book questions the de facto dominance of narrative when watching films. Using the film musical as a case study, this book explores whether an alternative spatial understanding of film can offer alternative readings to narrative. For instance, how do film aesthetics influence our interaction with the film? Can camera movement and music make us ‘feel’ cinema? Can the film world bleed into our own? Utilising film musicals ranging from those by Fred Astaire and Ginger Rogers to von Trier’s Dancer in the Dark (2000), Feeling Film: A Spatial Approach investigates how we might go about understanding the audience's spatial relationship with film aesthetics, what it might look like, and the tools needed to conduct analysis.

À propos de l'auteur :
Beth Carroll is a Lecturer in Film and Literature in the English and Film departments at the University of Southampton, UK. Her research interests include space, musicals, music, gestalt theory, haptics, disgust and video games. She has recently published a chapter on the Pet Shop Boys in Today’s Sounds for Yesterday’s Films: Making Music for Silent Cinema (Palgrave, 2016)

Voir le site internet de l'éditeur Springer

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