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Film Studies

An Introduction (livre en anglais)

de Ed Sikov

Type
Ouvrage didactique
Sujet
L'analyse de films
Mots Clés
technique, procédé narratif, théorie
Année d'édition
2020
Editeur
Columbia University Press
Collection
Film and Culture
2nd edition
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Relié • 272 pages
16,5 x 23,5 cm
ISBN
978-0-231-19592-8
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Description de l'ouvrage :
Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director’s use of camera movement.

Film Studies is designed for courses on film history, film theory, and popular culture. Its straightforward explanations of core critical concepts, practical advice, and technical, visual, and aesthetic aspects anchor the reader’s understanding of the formal language and anatomy of film and the techniques of film analysis.

The second edition of this best-selling textbook adds two new chapters: “Film and Ideology,” which covers how to read a film’s political and social content, and other key topics in film theory, and “Film Studies in the Age of Digital Cinema,” which explores the central problems of studying film when “film” itself is no longer the medium.

À propos de l'auteur :
Ed Sikov has taught at Haverford College, Colorado College, and Columbia University. He is the author of seven books, including Laughing Hysterically: American Screen Comedy of the 1950s (Columbia, 1994).

Revue de Presse :
Sikov is remarkably clear in his explanation of the technical elements of film as well as conceptual matters. Film Studies makes conceptually challenging material part of the introductory experience. Katherine Fusco, author of Silent Film and U.S. Naturalist Literature: Time, Narrative, and Modernity

Voir le site internet de l'éditeur Columbia University Press

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