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East Asian-German Cinema

The Transnational Screen, 1919 to the Present

Sous la direction de Joanne Miyang Cho

Type
Studies
Sujet
CountriesAsia
Mots Clés
East Asia, Germany
Année d'édition
2023
Editeur
Routledge
Collection
Routledge Studies in Cultural History
1ere édition
2021
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 324 pages
6 x 9 ½ inches (15.5 x 24 cm)
ISBN
978-0-367-74378-9
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Description de l'ouvrage:
This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations’ cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children’s literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres—feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions.

À propos de l'auteur :
Joanne Miyang Cho is Professor of History at William Paterson University.

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