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Transatlantic Television Drama
Industries, Programs, and Fans
by Michele Hilmes, Matt Hills and Roberta Pearson
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Book Presentation:
• Forecasts the future of industry and production strategies
• Looks at the transformation of television fandom
• Discusses Netflix as a major factor of transnational television popularity
In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen.
Focusing on production strategies, performance styles, and audience reception, chapters delve into some of the most widely-discussed programs on the transatlantic circuit, from ongoing series like Game of Thrones, Downton Abbey, Orphan Black, and Sherlock, to those with long histories of transnational circulation like Masterpiece and Doctor Who, to others whose transnational success speaks to the process of exchange, adaptation, and cooperation such as Rome, Parade's End, Broadchurch, and Gracepoint. The book's first section investigates the platforms that support British/American exchange, from distribution partnerships and satellite providers to streaming services. The second section concentrates on the shift in meaning across cultural contexts, such as invocations of heritage, genre shifts in adaptation, performance styles, and, in the case of Episodes, actual dramatized depiction of the process of transatlantic television production. In section three, attention turns to contexts of audience reception, ranging from fan conventions and fiction to television criticism, the effects of national branding on audiences, and the role of social media in de- or re-contextualizing fans' response to transnational programs.
About the authors:
Michele Hilmes, Professor Emerita, University of Wisconsin-Madison, Matt Hills, Professor of Media and Film, University of Huddersfield, and Roberta Pearson, Professor of Film and Television Studies, University of Nottingham Michele Hilmes is Professor Emerita at the University of Wisconsin-Madison, where she taught media studies for more than twenty years. Her books include Hollywood and Broadcasting: From Radio to Cable, Radio Voices: American Broadcasting 1922-1952, Network Nations: A Transnational History of British and American Broadcasting, and Only Connect: A Cultural History of Broadcasting in the United States. Roberta Pearson is Professor of Film and Television Studies at the University of Nottingham. Her books include Many More Lives of the Batman, Star Trek and American Television, Reading Lost: Perspectives on a Hit Television Show and Cult Television. Matt Hills is Professor of Media and Film at the University of Huddersfield, UK, and co-director of the Centre for Participatory Culture based there. His monographs include Fan Cultures, The Pleasures of Horror, Triumph of a Time Lord and Doctor Who: The Unfolding Event. He has published more than a hundred journal articles/book chapters on media fandom.
Press Reviews:
"This is a varied and wide-ranging collection that shows almost unfailing excellence (unsurprisingly given the calibre of many of the authors included); it is a valuable addition to this rapidly expanding field." - Shannon Wells-Lassagne, Critical Studies in Television: The International Journal of Television Studies
See the publisher website: Oxford University Press
> From the same authors:
Adventures Across Space and Time (2023)
A Doctor Who Reader
by Paul Booth, Matt Hills, Tansy Rayner Roberts and Joy Piedmont
Subject: One Film > Doctor Who (TV Series)
Star Trek and American Television (2014)
by Roberta Pearson and Máire Messenger Davies
Subject: One Film > Star Trek (TV Series)
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