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The Oxford Handbook of Canadian Cinema
Edited by Janine Marchessault and Will Straw
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Book Presentation:
• Offers a new and accessible take on Canadian cinema and media cultures
• Provides an interdisciplinary vocabulary
• Rethinks nationalism and indigenous media in the context of global cultures
The Oxford Handbook of Canadian Cinema is a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies this volume takes into account the variety of artistic voices, media technologies and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.
About the authors:
Edited by Janine Marchessault, Professor of Cinema and Media, York University, and Edited by Will Straw, Professor of Urban Media Studies, McGill University in Montreal Janine Marchessault is Professor of Cinema and Media at York University. She is the author of Ecstatic Worlds: Media, Utopias and Ecologies (2017); Cosmic Media: Marshall McLuhan (2005); and (co)editor of numerous collections including 3D Cinema and Beyond (w/ D. Adler et al 2013); Reimagining Cinema: Film at Expo 67 (w/ M. Gagnon 2014); and Cartographies of Place: Navigating the Urban (w/ M. Darroch 2014). Will Straw is James McGill Professor of Urban Media Studies in the Department of Art History and Communications Studies at McGill University in Montreal. He is the author of Cyanide and Sin: Visualizing Crime in 1950s America (2006) and an editor or co-editor of over 20 volumes of scholarship, including the Cambridge Companion of Rock and Pop, Circulation and the City, Formes urbaines, Intersections of Media and Communications: Concepts and Critical Frameworks and Accounting for Culture: Thinking through Cultural Citizenship.
Press Reviews:
Honorable Mention, Best Edited Collection, Canadian Studies Network
See the publisher website: Oxford University Press
> From the same authors:
Process Cinema (2019)
Handmade Film in the Digital Age
Dir. Scott MacKenzie and Janine Marchessault
Subject: Genre > Experimental
Reimagining Cinema (2014)
Film at Expo 67
by Monika Kin Gagnon, Janine Marchessault and Monika Kin Gagnon
Subject: General
Gendering the Nation (1999)
Canadian Women's Cinema
by Kay Armatage, Kass Banning, Brenda Longfellow and Janine Marchessault
> On a related topic:
New Arctic Cinemas (2023)
Media Sovereignty and the Climate Crisis
Canadian Cinema in the New Millennium (2023)
Dir. Lee Carruthers and Charles Tepperman
Northern Getaway (2022)
Film, Tourism, and the Canadian Vacation
West/Border/Road (2018)
Nation and Genre in Contemporary Canadian Narrative
Shooting from the East (2015)
Filmmaking on the Canadian Atlantic
Film and the City (2014)
The Urban Imaginary in Canadian Cinema
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