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Music and Sound in the Films of Dennis Hopper

by

Type
Essays
Subject
Director
Keywords
Dennis Hopper, music
Publishing date
Publisher
Routledge
Collection
Filmmakers and Their Soundtracks
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover92 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-1-032-73769-0
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Book Presentation:
Across his directorial films, American filmmaker Dennis Hopper used music and sound to propel the narrative, signpost the era in which the films were made, and delineate the characters’ place within American culture. This book explores five of Hopper’s films to show how this deep engagement with music to build character and setting continued throughout his career, as Hopper used folk, punk, hip-hop, and jazz to shape the worlds of his films in ways that influenced other filmmakers and foreshadowed the advent of the music video format.

The author traces Hopper’s distinctive approach to the use of music through films from 1969 to 1990, including his innovative use of popular rock, pop, and folk in Easy Rider, his blending of diegetic performances of folk and Peruvian indigenous music in The Last Movie, his use of punk rock in Out of the Blue, incorporation of hip-hop and rap in Colors, and commissioning of a jazz/blues soundtrack by Miles Davis and John Lee Hooker for The Hot Spot. Uncovering the film soundtrack as a vital piece of the narrative, this concise and accessible book offers insights for academic readers in music and film studies, as well as all those interested in Hopper’s work.

About the Author:
Stephen Lee Naish is a researcher and writer based in Ontario, Canada.

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See the Dennis Hopper on the website: IMDB ...

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