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Race, Sexuality, and Gender and the Musical Screen Adaptation
An Oxford Handbook of Musical Theatre Screen Adaptations, Volume 2
Sous la direction de Dominic Broomfield-McHugh
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Description de l'ouvrage:
• First wide-ranging exploration of stage-to-screen adaptations of musicals, now available in shorter form for individual readers and courses
• Includes new archival information on films like Kiss Me Kate and Pal Joey
• Considers previously-overlooked adaptations of operettas such as The Desert Song and Rio Rita
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St. Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen.
The second of three volumes, Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook, traces how the genre of the stage-to-screen musical has evolved, focusing in particular of issues of race, gender and sexuality. Enduringly popular adaptations such as Kiss Me Kate and Pal Joey are considered through the lens of identity, while several chapters consider how different adaptations of the same stage musical reflect shifting historical contexts. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.
Volume I: The Politics of the Musical Theatre Screen Adaptation
Volume II: Race, Sexuality, and Gender and the Musical Screen Adaptation
Volume III: Stars, Studios, and the Musical Theatre Screen Adaptation
À propos de l'auteur :
Edited by Dominic Broomfield-McHugh, Reader in Musicology, University of Sheffield Dominic Broomfield-McHugh is Reader in Musicology at the University of Sheffield. His publications include Loverly: The Life and Times of My Fair Lady (2012), Alan Jay Lerner: A Lyricist's Letters (2014), The Complete Lyrics of Alan Jay Lerner (2018) and Adapting The Wizard of Oz: From Baum to MGM and Beyond (2018).
Voir le site internet de l'éditeur Oxford University Press
> Du même auteur :
Stars, Studios, and the Musical Theatre Screen Adaptation (2023)
An Oxford Handbook of Musical Theatre Screen Adaptations, Volume 3
The Politics of the Musical Theatre Screen Adaptation (2023)
An Oxford Handbook of Musical Theatre Screen Adaptations
> Sur un thème proche :
American Plays And Musicals On Screen (2004)
650 Stage Productions And Their Film And Televison Adaptations
Sujet : Technique > Adaptation
Storytelling in Motion (2024)
Cinematic Choreography and the Film Musical
Singing a Different Tune (2023)
The Slavic Film Musical in a Transnational Context
Dir. Helena Goscilo
The Golden Age Musicals of Darryl F. Zanuck (2022)
The Gentleman Preferred Blondes
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