Books in French are on www.livres-cinema.info
MENU   

Maghrebs in Motion

North African Cinema in Nine Movements

by Suzanne Gauch

Type
Studies
Subject
CountriesMaghreb
Keywords
Maghreb, Algeria, Morocco, Tunisia
Publishing date
2016
Publisher
Oxford University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 256 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-19-026258-7
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
• Analyzes nine key films and film cycles from Algeria, Morocco, and Tunisia made in the twenty-five years leading up to the Arab Spring
• Specific directors looked at include Farida Benlyazid, Mohamed Chouikh, Nacer Khemir, Nabil Ayouch, Lyès Salem, Nadia El Fani, Tariq Teguia, Faouzi Bensaidi, and Nejib Belkadhi
• Examines how their work translates pre-cinematic cultures into new kinds of popular film that unsettle hierarchies of modernity and tradition

Exploring films made in Tunisia, Morocco, and Algeria from 1985 to 2009, Suzanne Gauch illustrates how late post-independence and early twenty-first century North African cinema prefigured many of the transformations in perception and relation that stunned both participants and onlookers during the remarkable uprisings of the 2011 Arab Spring. Through multifaceted examinations of key films by nine filmmakers—Farida Benlyazid, Mohamed Chouikh, Nacer Khemir, Nabil Ayouch, Lyès Salem, Nadia El Fani, Tariq Teguia, Faouzi Bensaïdi, and Nejib Belkadhi—Gauch delineates the shifting relation of politics to film in the era of neoliberal globalization. Each work, she argues, taps the power inherent in cinema to destabilize patterns of perception and judgment while taking film's role as popular entertainment in new directions. Highlighting how each film taps into the mobility at the core of cinema to break through the boundaries that have long circumscribed filmmaking from North Africa, Gauch shows how this cinema continues to forge and reflect unexpected trajectories for itself and its audiences.

About the Author:
Suzanne Gauch, Associate Professor of English, Temple University Suzanne Gauch is Associate Professor of English at Temple University. She is the author of Liberating Shahrazad: Feminism, Postcolonialism, and Islam.

See the publisher website: Oxford University Press

> On a related topic:

Moroccan Cinema Uncut:Decentred Voices, Transnational Perspectives

Moroccan Cinema Uncut (2020)

Decentred Voices, Transnational Perspectives

by Will Higbee, Flo Martin and Jamal Bahmad

Subject: Countries > Maghreb

New Tunisian Cinema:Allegories of Resistance

New Tunisian Cinema (2014)

Allegories of Resistance

by Robert Lang

Subject: Countries > Maghreb

Arab Modernism as World Cinema:The Films of Moumen Smihi

Arab Modernism as World Cinema (2020)

The Films of Moumen Smihi

by Peter Limbrick

Subject: Director > Moumen Smihi

Arab World Cinemas:A Reader and Guide

Arab World Cinemas (2024)

A Reader and Guide

by Marlé Hammond

Subject: Countries > Maghreb

Sensuous Cinema:The Body in Contemporary Maghrebi Film

Sensuous Cinema (2020)

The Body in Contemporary Maghrebi Film

by Kaya Davies Hayon

Subject: Countries > Maghreb

Arab American Drama, Film and Performance:A Critical Study, 1908 to the Present

Arab American Drama, Film and Performance (2015)

A Critical Study, 1908 to the Present

by Michael Malek Najjar

Subject: Countries > Maghreb

Screens and Veils:Maghrebi Women's Cinema

Screens and Veils (2011)

Maghrebi Women's Cinema

by Florence Martin

Subject: Countries > Maghreb

13685 books listed   •   (c)2024-2025 cinemabooks.info   •