Cinema, Media, and Human Flourishing
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Book Presentation:
The Humanities and Human Flourishing series publishes edited volumes that explore the role of human flourishing in the central disciplines of the humanities, and whether and how the humanities can increase human happiness.
This edited volume examines the role of cinema and media in the context of human flourishing. The history of cinema is rife with films and genres in which positive cinematic narratives stand out as remarkable and defining achievements. Since the 1930s through the superhero movies of today, from You Can't Take It with You or Toy Story to literary adaptations like Midsummer Night's Dream or Clueless, films have celebrated the resilience and triumphs of people pursuing a life of happiness and contentment. Yet, in the majority of these films, various crises shadow these pursuits, adding obstacles and detours that suggest films require a narrative drama of conflict, out of which human well-being and flourishing eventually emerge.
This volume covers a multitude of historical periods and topics, including discussions of the Aristotelian and classical models of a "good life" that inform animated fairy tales today; how 1930s French and Hollywood films responded to the dire need for productive human relationships in a turbulent decade; the polemical positions of black film criticism through the lens of James Baldwin; a discussion of contemporary filmic quests for happiness; the challenges for women filmmakers today in mapping the values of their own world; the scientific, psychological, and philosophical base for human value; and the shifting media frames of modern society and selves.
Cinema, Media Studies, and Human Flourishing features a diverse array of approaches to understanding human flourishing through cinematic representations of the journey to a fulfilling life.
About the Author:
Timothy Corrigan is a Professor Emeritus of English and Cinema Studies and Media Studies at the University of Pennsylvania. His work in Cinema Studies has focused on contemporary international cinema and documentary film. The Essay Film: From Montaigne, After Marker (Oxford UP), winner of the Katherine Singer Kovács Award for the outstanding book in film and media studies, appeared in 2012. In 2014 he received the Society for Cinema and Media Studies Award for Outstanding Pedagogical Achievement and the Ira H. Abrams Memorial Award for Distinguished Teaching in the School of Arts and Sciences at the University of Pennsylvania.
See the publisher website: Oxford University Press
> From the same author:
The Film Experience (2020)
An Introduction
by Timothy Corrigan and Patricia White
Subject: Film Analysis
The Global Road Movie (2018)
Alternative Journeys around the World
Dir. José Duarte and Timothy Corrigan
Subject: On Films > Film selections
The Films of Werner Herzog (2016)
Between Mirage and History
Dir. Timothy Corrigan
Subject: Director > Werner Herzog
American Cinema of the 2000s (2012)
Themes and Variations
Dir. Timothy Corrigan
Subject: On Films > Per period
Film and Literature (2011)
An Introduction and Reader
Dir. Timothy Corrigan
Subject: Technique > Adaptation
> On a related topic:
A Companion to Motion Pictures and Public Value (2022)
Dir. Mette Hjort and Ted Nannicelli
Subject: Sociology
Hollywood as Historian (1997)
American Film in a Cultural Context, Revised Edition
Dir. Peter C. Rollins
Subject: Sociology
Remembering the Future through Cinematic Symbols (2024)
Human/Artificial Intelligence
Subject: Sociology
What Film Is Good For (2023)
On the Values of Spectatorship
by Julian Hanich and Martin P. Rossouw
Subject: Sociology
Why Moralize upon It? (2020)
Democratic Education through American Literature and Film
by Brian Danoff
Subject: Sociology
Teaching Difficult History through Film (2017)
Dir. Jeremy Stoddard, Alan Marcus and David Hicks
Subject: Sociology