Avant-Doc
Intersections of Documentary and Avant-Garde Cinema
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Book Presentation:
MacDonald explores the cinematic territory between the traditional categories of "documentary" and "avant-garde" film, through candid, in-depth conversations with filmmakers whose work has challenged these categories. Arranged in an imaginative chronology and written to be accessible to any film-interested reader, the interviews in Avant-Doc chart half a century of thinking by inventive filmmakers such as Robert Gardner, Ed Pincus, Alfred Guzzetti, Ross McElwee, Leonard Retel Helmrich, Michael Glawogger, Susana de Sousa Dias, Jonathan Caouette, Pawel Wojtasik, and Todd Haynes. Recent breakthroughs by Amie Siegel, Jane Gillooly, Jennifer Proctor, Betzy Bromberg, and Godfrey Reggio are discussed; and considerable attention is paid to Harvard's innovative Sensory Ethnography Lab, producer of Sweetgrass, Leviathan, and Manakamana. A rare interview with pioneering scholar Annette Michelson begins Avant-Doc's meta-conversation.
About the Author:
Scott MacDonald teaches film history at Hamilton College and Harvard University. He is the author of several books, most recently, American Ethnographic Film and Personal Documentary.
> Books with the same or similar title:
> From the same author:
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Subject: Director > William Greaves
Flash Flaherty (2021)
Tales from a Film Seminar
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Subject: Festivals
The Flaherty (2017)
Decades in the Cause of Independent Cinema
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Subject: Genre > Independent cinema
American Ethnographic Film and Personal Documentary (2013)
The Cambridge Turn
Subject: Genre > Documentary
The Garden in the Machine (2001)
A Field Guide to Independent Films about Place
Subject: Genre > Independent cinema
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A Second of Eternity
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Avant-Garde Film, Urban Planning, and the Utopian Image of New York
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The Melancholy Lens (2021)
Loss and Mourning in American Avant-Garde Cinema
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